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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    389 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    383 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 70 matching records exist across the two collections.

Results for "Torments (Tourments)"12 records

Institutions answered newest-first by record, interleaved

The Road to Calvary by Master of the Lorsch Calvary, The Metropolitan Museum of Art

The Road to Calvary

Master of the Lorsch Calvary

ca. 1440 · Alabaster

Cleared · Public Domain

live
The MetSimilar
The Martyrdom of Saint Sebastian, with three archers by Anonymous, Italian, Florentine, 15th century, The Metropolitan Museum of Art

The Martyrdom of Saint Sebastian, with three archers

Anonymous, Italian, Florentine, 15th century (d. 1500)

ca. 1480–90 · Engraving

Cleared · Public Domain

live
The MetSimilar
The scourging by Wenceslaus Hollar, The Metropolitan Museum of Art

The scourging

Wenceslaus Hollar (d. 1677)

1644–52 · Etching, only state

Cleared · Public Domain

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The MetSimilar
Busk by an unrecorded maker, The Metropolitan Museum of Art

Busk

Unrecorded maker

17th century · metal

Cleared · Public Domain

live
The MetSimilar
Clarence's Dream (Shakespeare, Richard III, Act 1, Scene 4) by William Blake, The Metropolitan Museum of Art

Clarence's Dream (Shakespeare, Richard III, Act 1, Scene 4)

William Blake (d. 1827)

1774 · Etching and engraving

Cleared · Public Domain

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The MetSimilar
The Art of Ingeniously Tormenting by Thomas Rowlandson, The Metropolitan Museum of Art

The Art of Ingeniously Tormenting

Thomas Rowlandson (d. 1827)

February 8, 1808 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
The torments of Tantalus... water included, from 'News of the day,' published in Le Charivari, November 23, 1870 by Honoré Daumier, The Metropolitan Museum of Art

The torments of Tantalus... water included, from 'News of the day,' published in Le Charivari, November 23, 1870

Honoré Daumier (d. 1879)

November 23, 1870 · Lithograph on newsprint; second state of two (Delteil)

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Allegory of the Torments of Love

Monogrammist O.O.V.I. VEN (d. 1600)

ca. 1542 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Allegory of the Torments of Love

Monogrammist O.O.V.I. VEN (d. 1600)

ca. 1530–50 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ague and Fever

Thomas Rowlandson (d. 1827)

1788 · Hand-colored etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ague and Fever

Thomas Rowlandson (d. 1827)

1788 · Hand-colored etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Torments (Tourments)

Jean Dubuffet (d. 1985)

1959 · Lithograph

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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