Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
297 ms. The Metropolitan Museum of Art, Collection API (Open Access)
277 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5,006 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Der Torso, Vols. 1-7
Carl Daniel Bach (d. 1829)
1796–98 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Torso No. 1
Ben Magid Rabinovitch (d. 1964)
1928 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Gansevoort, Number 1
Lee Krasner (d. 1984)
1934 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Torso, Number 108
Harold Cousins (d. 1992)
1951 · Welded steel and copper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled, Number 1
James Brooks (d. 1992)
1953 · Gouache and crayon on paper, mounted on board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Torso, Number 1
Hale Woodruff (d. 1980)
1971 · Charcoal with stumping on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Torso, Number 2
Hale Woodruff (d. 1980)
1971 · Charcoal and conté crayon on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Prototype, Number 1
Joe Zucker (d. 2024)
1980 · Acrylic and rhoplex on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
McDonald's, Number 1
Dan McCleary (d. 9999)
1986 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pastimes, Number 1
Frances Burden (d. 9999)
1989 · Watercolor over graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Number 1
Tulio Diaz (d. 9999)
1991 · Black ink, watercolor, gouache, and graphite on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.