Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
248 ms. The Metropolitan Museum of Art, Collection API (Open Access)
309 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,569 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Der Torso, Vols. 1-7
Carl Daniel Bach (d. 1829)
1796–98 · Etching and engraving
In copyright
live
Leaf from a Book of Hours: The Last Judgment
Master of Guillebert de Mets
1430s · Manuscript, ink, tempera and gold on vellum
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Life vol. 1, no. 1
Unrecorded maker
January 4, 1883
In copyright
live
Leaf from a Book of Hours: The Crucifixion
Master of Guillebert de Mets
1430s · Manuscript, ink, tempera and gold on vellum
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Blast, No. 1
Wyndham Lewis (d. 1957)
1914 · Letterpress with woodcuts and photographic reproductions
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Spawn, Vol. 1, No. 1
Max Endicoff (d. 1950)
1917 · Illustrations: photomechanical reproductions
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Promenade No. 1
Paul Nash (d. 1946)
1920 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Promenade No.1
Paul Nash (d. 1946)
1920 · Wood engraving on Japanese paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Torso No. 1
Ben Magid Rabinovitch (d. 1964)
1928 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nude No. 1
Irving Penn (d. 2009)
1947, printed February 27, 1947 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Naissance No. 1
Auguste Herbin (d. 1960)
1958 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
No. 1
Léo Marchutz (d. 1976)
ca. 1930–60 · Lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.