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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    305 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "Towel border"7 records

Institutions answered newest-first by record, interleaved

Border by an unrecorded maker, The Cleveland Museum of Art

Border

Unrecorded maker

c 1800– 1825 · Embroidery, plain weave silk (est.) ground with polychrome silk (est.) and metal thread chain stitch embroidery; applied silk (est.) ribbon and metal thread trims

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Towel with Border of Figures of Men and Animals by an unrecorded maker, The Cleveland Museum of Art

Towel with Border of Figures of Men and Animals

Unrecorded maker

1700s–1800s · Lace, Linen: needle lace (cutwork and drawnwork), straight (continuous) bobbin lace, tape lace edging

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Cloth with Border of Female Figures and Peacocks by an unrecorded maker, The Cleveland Museum of Art

Cloth with Border of Female Figures and Peacocks

Unrecorded maker

1700s–1800s · Lace, Linen: needle lace (cutwork and drawnwork), straight (continuous) bobbin lace, (tape lace) edging; applied silk (est.) ribbon

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Beneath the Willow by Tsukioka Sessai, The Cleveland Museum of Art

Beneath the Willow

Tsukioka Sessai (d. 1839)

after 1778 · Painting, Hanging scroll; ink and color on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Saint Barbara (6 of 6 Excised Leaves) by Henri d'Orquevaulx, The Cleveland Museum of Art

Leaf from a Book of Hours: Saint Barbara (6 of 6 Excised Leaves)

Henri d'Orquevaulx

c. 1420–30 · Manuscript, ink, tempera, silver, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Towel End by an unrecorded maker, The Cleveland Museum of Art

Towel End

Unrecorded maker

1780–99 · Lace, cotton or linen (est.); straight (continuous) bobbin lace (Vologda tape lace); the tape forms figural or plant motifs outlined with gimp (heavy cord); polychrome plaited ground links the tape; applied silk (est.) ribbon

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Towel End with Beaded Borders by an unrecorded maker, The Cleveland Museum of Art

Towel End with Beaded Borders

Unrecorded maker

early 1800s · Embroidery, embroidery; cotton

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.