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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    85 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    296 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 233 matching records exist across the two collections.

Results for "Trade Card for James Burnside, Bookselle"12 records

Institutions answered newest-first by record, interleaved

Trade card for James Figg by William Hogarth, The Metropolitan Museum of Art

Trade card for James Figg

William Hogarth (d. 1764)

1790s · Etching

Cleared · Public Domain

live
The MetSimilar
Trade Card for the Temple Printing Office, Printers and Wood Engravers by James Moyes, The Metropolitan Museum of Art

Trade Card for the Temple Printing Office, Printers and Wood Engravers

James Moyes

19th century · Engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Trade Card for James Neatby, Stationer

Anonymous, British, 18th–19th century (d. 1900)

late 18th century · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Trade Card for James Hague, Bookseller & Stationer

Anonymous, British, 18th century (d. 1800)

18th century · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Trade Card for James Peers, Bookseller

Anonymous, British, 18th century (d. 1800)

18th century · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Trade Card for James Owen, Bookseller

Anonymous, British, 19th century (d. 1900)

ca. 1826–32 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Trade Card for James Owen, Bookseller

Anonymous, British, 19th century (d. 1900)

ca. 1826–32 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

James West, Glass Painter & Stainer (trade card)

James West (d. 1845)

ca. 1843 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Trade Card for James Wright

Anonymous, British, 18th–19th century (d. 1900)

18th and early 19th century · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Trade Card for James Burnside, Bookseller and Stationer

Anonymous, Irish, 19th century (d. 1900)

19th century · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Trade Card for James Burnside, Bookseller and Stationer

Anonymous, Irish, 19th century (d. 1900)

19th century · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Trade Card for James Darling, Bookseller

Anonymous, British, 19th century (d. 1900)

19th century · Engraving

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.