
Design for Trade Card for Samuel P. Avery
George Cruikshank (d. 1878)
1873 · Watercolor and graphite
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1022 ms. The Metropolitan Museum of Art, Collection API (Open Access)
541 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,620 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for Trade Card for Samuel P. Avery
George Cruikshank (d. 1878)
1873 · Watercolor and graphite
Cleared · Public Domain
live
Patent model for adjustable reclining chairs
George A. Schastey (d. 1894)
1873 · Walnut, paper labels, and original silk upholstery
Cleared · Public Domain
live
Trade Card for Samuel P. Avery--Fine Art Room
George Cruikshank (d. 1878)
1873 · Etching
Cleared · Public Domain
live
Trade card for George A. Schastey
John Harper Bonnell & Co. (d. 1884)
1876–79 · Ink on paper
Cleared · Public Domain
live
Architectural woodwork and paneling
George A. Schastey & Co. (d. 1897)
1881–82 · Satinwood, purpleheart, mother-of-pearl, silver-plated brass, mirrored glass, marble, and reproduction upholstery
Cleared · Public Domain
live
Cabinet
George A. Schastey & Co. (d. 1897)
1884–85 · Rosewood, mahogany, cherry, pine, pewter, brass, and mother-of-pearl
Cleared · Public Domain
live
Occasional Pieces of Choice and Useful Household Furniture, Trade Catalogue (Springfield, MA: George A. Schastey Company)
George A. Schastey & Co. (d. 1897)
ca. 1890 · Paper
Cleared · Public Domain
live
Trade card for George Odell, Printer
Anonymous, British, 19th century (d. 1900)
19th century · Engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Trade Card for George Ridings, Bookseller & Stationer
Anonymous, Irish, 18th century (d. 1800)
18th century · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Trade Card for Samuel P. Avery–Fine Art Room
George Cruikshank (d. 1878)
1873 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Trade Card for Samuel P. Avery–Fine Art Room
George Cruikshank (d. 1878)
1873 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
George Brent, A Warner Bros. Star, trade card (W500)
Unrecorded maker
ca. 1930–40 · Commercial photolithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.