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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1018 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    340 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 20 matching records exist across the two collections.

Results for "Transitional Rapier"12 records

Institutions answered newest-first by record, interleaved

Rapier by an unrecorded maker, The Metropolitan Museum of Art

Rapier

Unrecorded maker

ca. 1550 · Steel, iron, gold, wood

Cleared · Public Domain

live
The MetSimilar
Rapier by Johannes Moum, The Metropolitan Museum of Art

Rapier

Johannes Moum (d. 1675)

ca. 1575–1600 · Steel, silver, wood

Cleared · Public Domain

live
The MetSimilar
Rapier by an unrecorded maker, The Metropolitan Museum of Art

Rapier

Unrecorded maker

ca. 1600 · Steel

Cleared · Public Domain

live
The MetSimilar
Cup-Hilted Rapier by an unrecorded maker, The Metropolitan Museum of Art

Cup-Hilted Rapier

Unrecorded maker

ca. 1650 · Steel

Cleared · Public Domain

live
The MetSimilar
Cup-Hilted Rapier by an unrecorded maker, The Metropolitan Museum of Art

Cup-Hilted Rapier

Unrecorded maker

ca. 1650 · Steel, iron, wood

Cleared · Public Domain

live
The MetSimilar
Cup-Hilted Rapier by an unrecorded maker, The Metropolitan Museum of Art

Cup-Hilted Rapier

Unrecorded maker

ca. 1650 · Steel, iron, gold, wood

Cleared · Public Domain

live
The MetSimilar
Rapier by an unrecorded maker, The Metropolitan Museum of Art

Rapier

Unrecorded maker

ca. 1625–50 · Steel, wood, copper alloy

Cleared · Public Domain

live
The MetSimilar
Cup-Hilted Rapier and Matching Parrying Dagger by an unrecorded maker, The Metropolitan Museum of Art

Cup-Hilted Rapier and Matching Parrying Dagger

Unrecorded maker

ca. 1650–75 · Steel, iron

Cleared · Public Domain

live
The MetSimilar
Transitional Rapier by Tomas Aiala, The Metropolitan Museum of Art

Transitional Rapier

Tomas Aiala (d. 1700)

hilt, ca. 1625–50; blade, 17th century · Steel, wood

Cleared · Public Domain

live
The MetSimilar
Rapier by an unrecorded maker, The Metropolitan Museum of Art

Rapier

Unrecorded maker

ca. 1700 · Steel, gold, copper wire

Cleared · Public Domain

live
The MetSimilar
Smallsword by an unrecorded maker, The Metropolitan Museum of Art

Smallsword

Unrecorded maker

1778 · Steel, gold, silver, textile, paste jewels

Cleared · Public Domain

live
The MetSimilar
Rapier by an unrecorded maker, The Metropolitan Museum of Art

Rapier

Unrecorded maker

hilt, ca. 1580; blade, later · Steel, gold, silver

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.