
The Entrance Hall of the Regensburg Synagogue
Albrecht Altdorfer (d. 1538)
1519 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
384 ms. The Metropolitan Museum of Art, Collection API (Open Access)
270 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 120 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Entrance Hall of the Regensburg Synagogue
Albrecht Altdorfer (d. 1538)
1519 · Etching
Cleared · Public Domain
live
The Hall and Stair Case, British Museum
Thomas Rowlandson (d. 1827)
April 1, 1808 · Hand-colored etching and aquatint
Cleared · Public Domain
live
Entrance-hall Wallpaper from the Collins House
Anonymous, American, 19th century (d. 1900)
ca. 1850 · Roller-printed paper
Cleared · Public Domain
live
Entrance Hall of the Metropolitan Museum of Art when in Fourteenth Street
Frank Waller (d. 1923)
ca. 1881 · Oil on wood
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Transom window from the entrance hall of the Worsham-Rockefeller House
John La Farge (d. 1910)
ca. 1881–82 · Leaded opalescent glass
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Window
Louis C. Tiffany (d. 1933)
ca. 1892 · Leaded glass
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Window from the James A. Patton House
George Washington Maher (d. 1926)
ca. 1901 · Leaded glass
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Architectural Elements from Laurelton Hall, Oyster Bay, New York
Louis C. Tiffany (d. 1933)
ca. 1905 · Limestone, ceramic, and Fravrile glass
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Window from the J. C. Cross House, Minneapolis, Minnesota
George Grant Elmslie (d. 1952)
1911 · Glass
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Window from the J. C. Cross House, Minneapolis, Minnesota
George Grant Elmslie (d. 1952)
1911 · Glass
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Window from the J. C. Cross House, Minneapolis, Minnesota
George Grant Elmslie (d. 1952)
1911 · Glass
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
3-part Garden landscape window for Linden Hall
Agnes F. Northrop (d. 1953)
1912 · Leaded Favrile glass
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.