View Near Albury
Wenceslaus Hollar (d. 1677)
1645 · Etching, first state of three
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
365 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
424 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 21 matching records exist across the two collections.
Results for "Tree Trunks and Lane, from "Norfolk Pict"12 records
Institutions answered newest-first by record, interleaved
Perseus and the Origin of Coral
Claude Lorrain (Claude Gellée) (d. 1682)
ca. 1671 · Black chalk, sepia and black ink, sepia and gray wash heightened with white
Cleared · Public Domain
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Berry Pomeroy Castle in Devon
Francis Towne (d. 1816)
1773–80, with additions in 1805 · Watercolor and pen and ink on two joined sheets
Cleared · Public Domain
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Tree Trunks and Lane
John Crome (d. 1821)
1811–13 · Softground etching on chine collé
Cleared · Public Domain
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Tree Trunks and Lane
John Crome (d. 1821)
1811–12 · Soft-ground etching on chine collé
Cleared · Public Domain
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Plate 40, from "World in Miniature"
Thomas Rowlandson (d. 1827)
1816 · Hand-colored etching
Cleared · Public Domain
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Study for Tree Trunks and Lane
John Crome (d. 1821)
ca. 1812 · Graphite (recto); soft ground etching (verso)
Cleared · Public Domain
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The Grandmother Tree, near Middletown, Long Island
William Rickarby Miller (d. 1893)
1858 · Watercolor, gouache, and graphite on off-white wove paper
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings by the Late John Crome, founder of the Norwich Society of Artists, and Printed from the Plates as Left by Himself
John Crome (d. 1821)
1834 · Etching, softground etching, drypoint, all on chine collé
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tree Trunks and Lane, from "Norfolk Picturesque Scenery"
John Crome (d. 1821)
1811–34 · Softground etching on chine collé
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Visions of a City Tree, from "Picture Poesies"
John William North (d. 1924)
first published 1867, reissued 1874 · Wood engraving
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"And It Glared at the Dear Old Woman" (for "Hanky Panky" in "Topsy-Turvy Tales")
William Heath Robinson (d. 1944)
ca. 1923 · Pen and black ink, brush and wash
In copyright
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