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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    273 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    369 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,259 matching records exist across the two collections.

Results for "Trees in Wood (from Sketchbook)"12 records

Institutions answered newest-first by record, interleaved

House in the Trees (from Sketchbook) by John William Casilear, The Metropolitan Museum of Art

House in the Trees (from Sketchbook)

John William Casilear (d. 1893)

1834, 1838 · Graphite on wove paper

Cleared · Public Domain

live
The MetSimilar
Landscape with Foreground Trees (from Sketchbook) by Francis William Edmonds, The Metropolitan Museum of Art

Landscape with Foreground Trees (from Sketchbook)

Francis William Edmonds (d. 1863)

ca. 1838 and after · Graphite on off-white wove paper

Cleared · Public Domain

live
The MetSimilar
Landscape with Trees (from Sketchbook VII) by William Trost Richards, The Metropolitan Museum of Art

Landscape with Trees (from Sketchbook VII)

William Trost Richards (d. 1905)

1886 · Graphite on off-white wove paper

Cleared · Public Domain

live
The MetSimilar
Landscape with Trees (from Sketchbook VII) by William Trost Richards, The Metropolitan Museum of Art

Landscape with Trees (from Sketchbook VII)

William Trost Richards (d. 1905)

1886 · Graphite on off-white wove paper

Cleared · Public Domain

live
The MetSimilar
Sketch of Trees (Clouds?) (from Sketchbook VII) by William Trost Richards, The Metropolitan Museum of Art

Sketch of Trees (Clouds?) (from Sketchbook VII)

William Trost Richards (d. 1905)

1886 · Graphite on off-white wove paper

Cleared · Public Domain

live
The MetSimilar
Trees (from Sketchbook VII) by William Trost Richards, The Metropolitan Museum of Art

Trees (from Sketchbook VII)

William Trost Richards (d. 1905)

1886 · 48 leaves with drawings and sketches in graphite and in ink on off-white wove paper

Cleared · Public Domain

live
The MetSimilar
Two Trees in a Landscape (from Sketchbook VII) by William Trost Richards, The Metropolitan Museum of Art

Two Trees in a Landscape (from Sketchbook VII)

William Trost Richards (d. 1905)

1886 · Graphite on white wove paper

Cleared · Public Domain

live
The MetSimilar
Trees (from Sketchbook) by Henry Ward Ranger, The Metropolitan Museum of Art

Trees (from Sketchbook)

Henry Ward Ranger (d. 1916)

1916 · Graphite, ink, on paper

Cleared · Public Domain

live
The MetSimilar
Trees in a Forest (from Sketchbook) by Henry Ward Ranger, The Metropolitan Museum of Art

Trees in a Forest (from Sketchbook)

Henry Ward Ranger (d. 1916)

1916 · Graphite, ink, on paper

Cleared · Public Domain

live
The MetSimilar
Trees in Wood (from Sketchbook) by Henry Ward Ranger, The Metropolitan Museum of Art

Trees in Wood (from Sketchbook)

Henry Ward Ranger (d. 1916)

1916 · Graphite, ink, on paper

Cleared · Public Domain

live
The MetSimilar
Two Sketches of Trees (from Sketchbook) by Henry Ward Ranger, The Metropolitan Museum of Art

Two Sketches of Trees (from Sketchbook)

Henry Ward Ranger (d. 1916)

1916 · Graphite, ink, on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Trees in Landscape (from Sketchbook VII)

William Trost Richards (d. 1905)

1886 · Graphite on off-white wove paper

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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