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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    467 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    299 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 5,869 matching records exist across the two collections.

Results for "Trees on a Hill (from Sketchbook)"12 records

Institutions answered newest-first by record, interleaved

New York from Heights Near Brooklyn [The Wall View from Brooklyn] by John Hill, The Metropolitan Museum of Art

New York from Heights Near Brooklyn [The Wall View from Brooklyn]

John Hill (d. 1850)

1823 · Hand-colored etching and aquatint

Cleared · Public Domain

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The MetSimilar
Leaf from a Book of Hours: Christ Carrying the Cross (Sext, Hours of the Cross) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: Christ Carrying the Cross (Sext, Hours of the Cross)

Unrecorded maker

c. 1410–1420 · Manuscript, ink, tempera and gold on vellum

Cleared · CC0

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Cleveland Museum of ArtSimilar
View Near Sandy Hill (No. 7 of The Hudson River Portfolio) by John Hill, The Metropolitan Museum of Art

View Near Sandy Hill (No. 7 of The Hudson River Portfolio)

John Hill (d. 1850)

1822–23 · Aquatint printed in color with hand-coloring; first state of two (Koke)

Cleared · Public Domain

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The MetSimilar
View from My Work Room Window in Hammond Street, New York City by John Hill, The Metropolitan Museum of Art

View from My Work Room Window in Hammond Street, New York City

John Hill (d. 1850)

ca. 1826–30 · Watercolor, pen and black ink, and graphite on off-white wove paper

Cleared · Public Domain

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The MetSimilar
Landscape with Trees Framing a Stream (from Sketchbook) by Francis William Edmonds, The Metropolitan Museum of Art

Landscape with Trees Framing a Stream (from Sketchbook)

Francis William Edmonds (d. 1863)

ca. 1838 and after · Graphite on off-white wove paper

Cleared · Public Domain

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The MetSimilar
Copse of Trees on a Riverbank (from Sketchbook) by Thomas Hewes Hinckley, The Metropolitan Museum of Art

Copse of Trees on a Riverbank (from Sketchbook)

Thomas Hewes Hinckley (d. 1896)

ca. 1860–ca. 1864 · Graphite on buff paper

Cleared · Public Domain

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The MetSimilar
Two Trees in a Landscape (from Sketchbook VII) by William Trost Richards, The Metropolitan Museum of Art

Two Trees in a Landscape (from Sketchbook VII)

William Trost Richards (d. 1905)

1886 · Graphite on white wove paper

Cleared · Public Domain

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The MetSimilar
Trees on a Cliffside (from Sketchbook) by Albert Bierstadt, The Metropolitan Museum of Art

Trees on a Cliffside (from Sketchbook)

Albert Bierstadt (d. 1902)

1890 · Graphite on wove paper

Cleared · Public Domain

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The MetSimilar
Trees on a Hill (from Sketchbook) by Albert Bierstadt, The Metropolitan Museum of Art

Trees on a Hill (from Sketchbook)

Albert Bierstadt (d. 1902)

1890 · Graphite on wove paper

Cleared · Public Domain

live
The MetSimilar
Trees (from Sketchbook) by Henry Ward Ranger, The Metropolitan Museum of Art

Trees (from Sketchbook)

Henry Ward Ranger (d. 1916)

1916 · Graphite, ink, on paper

Cleared · Public Domain

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The MetSimilar
Trees behind a Fence (from Sketchbook) by Henry Ward Ranger, The Metropolitan Museum of Art

Trees behind a Fence (from Sketchbook)

Henry Ward Ranger (d. 1916)

1916 · Graphite, ink, on paper

Cleared · Public Domain

live
The MetSimilar
Two Trees on a Hill (from Sketchbook) by Henry Ward Ranger, The Metropolitan Museum of Art

Two Trees on a Hill (from Sketchbook)

Henry Ward Ranger (d. 1916)

1916 · Graphite, ink, on paper

Cleared · Public Domain

live
The MetSimilar

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