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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    396 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    330 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 22 matching records exist across the two collections.

Results for "Tri-Lobed Arch from a Reliquary Shrine"12 records

Institutions answered newest-first by record, interleaved

Grapevine by an unrecorded maker, The Metropolitan Museum of Art

Grapevine

Unrecorded maker

ca. 1347–1330 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Reliquary in the Shape of a Stupa by an unrecorded maker, The Metropolitan Museum of Art

Reliquary in the Shape of a Stupa

Unrecorded maker

ca. 4th–5th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Panel with San Millán by Master Engelram and his son Redolfo, The Metropolitan Museum of Art

Panel with San Millán

Master Engelram and his son Redolfo (d. 1095)

1060–80 · Elephant ivory, with glass inlay

Cleared · Public Domain

live
The MetSimilar
Buddha flanked by Avalokiteshvara-Padmapani and Vajrapani by an unrecorded maker, The Metropolitan Museum of Art

Buddha flanked by Avalokiteshvara-Padmapani and Vajrapani

Unrecorded maker

11th century · Fired clay, molded and polychromed

Cleared · Public Domain

live
The MetSimilar
Tri-Lobed Arch from a Reliquary Shrine by Nicholas of Verdun and Cologne Followers, The Metropolitan Museum of Art

Tri-Lobed Arch from a Reliquary Shrine

Nicholas of Verdun and Cologne Followers

ca. 1200 · Champlevé enamel on gilded copper

Cleared · Public Domain

live
The MetSimilar
Tri-Lobed Arch from a Reliquary Shrine by Nicholas of Verdun and Cologne Followers, The Metropolitan Museum of Art

Tri-Lobed Arch from a Reliquary Shrine

Nicholas of Verdun and Cologne Followers

ca. 1200 · Champlevé enamel on gilded copper

Cleared · Public Domain

live
The MetSimilar
Plaque from a Reliquary by Master of the Virgin Mary's Reliquary Casket, The Metropolitan Museum of Art

Plaque from a Reliquary

Master of the Virgin Mary's Reliquary Casket

early 13th century · Champlevé enamel, cloisonné enamel, and gilded copper

Cleared · Public Domain

live
The MetSimilar
Plaque from a Reliquary by Master of the Virgin Mary's Reliquary Casket, The Metropolitan Museum of Art

Plaque from a Reliquary

Master of the Virgin Mary's Reliquary Casket

early 13th century · Champlevé enamel, cloisonné enamel, and gilded copper

Cleared · Public Domain

live
The MetSimilar
Reliquary Shrine by Jean de Touyl, The Metropolitan Museum of Art

Reliquary Shrine

Jean de Touyl (d. 1350)

ca. 1325–50 · Gilded silver, translucent enamel, paint

Cleared · Public Domain

live
The MetSimilar
Reliquary of Mary Magdalene by an unrecorded maker, The Metropolitan Museum of Art

Reliquary of Mary Magdalene

Unrecorded maker

14th and 15th century · Gilded copper, gilded silver, rock crystal, verre églomisé, and a human tooth (genus: Homo; species: Homo sapiens)

Cleared · Public Domain

live
The MetSimilar
Arrowhead (<i>Yanone</i>) by an unrecorded maker, The Metropolitan Museum of Art

Arrowhead (<i>Yanone</i>)

Unrecorded maker

dated 1645 · Steel

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reliquary Shrine of Saint Barbara

Louis Marcy (Luigi Parmeggiani) (d. 1945)

ca. 1880–1900 (14th–15th century style) · Silver and gilded silver

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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