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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    355 ms. The Cleveland Museum of Art, Open Access API

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1 of 2 providers answered live. 203 matching records exist across the two collections.

Results for "Triptych"11 records

Institutions answered newest-first by record, interleaved

Triptych with the Adoration of the Magi by an unrecorded maker, The Cleveland Museum of Art

Triptych with the Adoration of the Magi

Unrecorded maker

c. 1424 · Painting, tempera and gold on wood (oak)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from an Antiphonary: Coronation of the Virgin by Master of the Beffi Triptych, The Cleveland Museum of Art

Leaf from an Antiphonary: Coronation of the Virgin

Master of the Beffi Triptych (d. 1425)

1400s · Manuscript, Ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The "Apostles" Pyx (Box) by Triptych Group, The Cleveland Museum of Art

The "Apostles" Pyx (Box)

Triptych Group

c. 980–1010 · Ivory, ivory

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Triptych: The Life of the Virgin by an unrecorded maker, The Cleveland Museum of Art

Triptych: The Life of the Virgin

Unrecorded maker

c. 1325–1350 · Ivory, ivory, traces of gilding

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Story of Lucretia by Master of the "Kanis Triptych", The Cleveland Museum of Art

The Story of Lucretia

Master of the "Kanis Triptych"

c. 1530 · Glass, pot-metal and white glass, silver stain and sanguine

Cleared · CC0

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Cleveland Museum of ArtSimilar
Pair of Panels from a Triptych: The Archangel Michael and St. Anthony Abbot by Fra Filippo Lippi, The Cleveland Museum of Art

Pair of Panels from a Triptych: The Archangel Michael and St. Anthony Abbot

Fra Filippo Lippi (d. 1469)

1458 · Painting, tempera on wood panel

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Panel from a Triptych: St. Anthony Abbot by Fra Filippo Lippi, The Cleveland Museum of Art

Panel from a Triptych: St. Anthony Abbot

Fra Filippo Lippi (d. 1469)

1458 · Painting, tempera on wood panel

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Panel from a Triptych: The Archangel Michael by Fra Filippo Lippi, The Cleveland Museum of Art

Panel from a Triptych: The Archangel Michael

Fra Filippo Lippi (d. 1469)

1458 · Painting, tempera on wood panel

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Pendant Triptych with an Onyx Cameo of the Nativity by an unrecorded maker, The Cleveland Museum of Art

Pendant Triptych with an Onyx Cameo of the Nativity

Unrecorded maker

c. 1460–1500; cameo: c. 1250–1300 · Enamel, basse-taille enamel on gold; onyx cameo

Cleared · CC0

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Cleveland Museum of ArtSimilar
Portable Triptych Icon by an unrecorded maker, The Cleveland Museum of Art

Portable Triptych Icon

Unrecorded maker

1600s · Painting, painted wood panel within enameled brass frame

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Portable Triptych Icon: The Crucifixion by an unrecorded maker, The Cleveland Museum of Art

Portable Triptych Icon: The Crucifixion

Unrecorded maker

1600s · Painting, painted wood panel within enameled brass frame

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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