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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    738 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    298 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 12 matching records exist across the two collections.

Results for "Triptych with the Way to Calvary, the Cr"12 records

Institutions answered newest-first by record, interleaved

Madonna and Child Enthroned by Master of the Magdalen, The Metropolitan Museum of Art

Madonna and Child Enthroned

Master of the Magdalen (d. 1295)

1295 · Tempera on wood, gold ground

Cleared · Public Domain

live
The MetSimilar
Madonna and Child with Nine Angels by Segna di Buonaventura, The Metropolitan Museum of Art

Madonna and Child with Nine Angels

Segna di Buonaventura (d. 1331)

ca. 1315 · Tempera on wood, gold ground

Cleared · Public Domain

live
The MetSimilar
The Crucifixion by Segna di Buonaventura, The Metropolitan Museum of Art

The Crucifixion

Segna di Buonaventura (d. 1331)

ca. 1315 · Tempera on wood, gold ground

Cleared · Public Domain

live
The MetSimilar
Triptych with the Way to Calvary, the Crucifixion, and the Disrobing of Jesus by an unrecorded maker, The Metropolitan Museum of Art

Triptych with the Way to Calvary, the Crucifixion, and the Disrobing of Jesus

Unrecorded maker

ca. 1400–1420 · Gilded copper, silver and paint

Cleared · Public Domain

live
The MetSimilar
The Way to Calvary, with Saint Veronica Receiving the Veil Imprinted with the Face of Christ by an unrecorded maker, The Metropolitan Museum of Art

The Way to Calvary, with Saint Veronica Receiving the Veil Imprinted with the Face of Christ

Unrecorded maker

ca. 1510 · Walnut, paint and gilding

Cleared · Public Domain

live
The MetSimilar
The Dormition of the Virgin; (reverse) Christ Carrying the Cross by Hans Schäufelein, The Metropolitan Museum of Art

The Dormition of the Virgin; (reverse) Christ Carrying the Cross

Hans Schäufelein (d. 1540)

ca. 1510 · Oil and gold on fir

Cleared · Public Domain

live
The MetSimilar
Triptych with The Way to Calvary, Crucifixion, and Descent from the Cross by Jean Pénicaud I, The Metropolitan Museum of Art

Triptych with The Way to Calvary, Crucifixion, and Descent from the Cross

Jean Pénicaud I (d. 1543)

16th century · Painted enamel and gilded copper

Cleared · Public Domain

live
The MetSimilar
Shrine by Matthias Walbaum, The Metropolitan Museum of Art

Shrine

Matthias Walbaum (d. 1632)

1598–1600 · Ebony, silver, gilded silver, gouache on parchment

Cleared · Public Domain

live
The MetSimilar
Triptych with the Mandylion by The Kremlin Armory Workshops, Moscow, The Metropolitan Museum of Art

Triptych with the Mandylion

The Kremlin Armory Workshops, Moscow (d. 1715)

1637 · Silver, partly gilt, niello, enamel, sapphires, rubies, spinels, pearls, leather, silk velvet, oil paint, gesso, linen, mica, pig-skin, woods: Tilia cordata (basswood or linden), white oak

Cleared · Public Domain

live
The MetSimilar
Christ Carrying the Cross by Pierre Mignard, The Metropolitan Museum of Art

Christ Carrying the Cross

Pierre Mignard (d. 1695)

ca. 1684 · Red chalk, with traces of framing lines in black chalk

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Alice

Mary Sully (d. 1963)

ca. 1920s–40s · Colored pencil, wax crayon, ink, and graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Timothy Cole (1852–1931)

Mary Sully (d. 1963)

ca. 1920s–40s · Colored pencil, wax crayon, ink, and graphite on paper

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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