Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
263 ms. The Metropolitan Museum of Art, Collection API (Open Access)
297 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 12 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Design for a Freestanding Tomb Seen in Elevation and Plan
Antonio da Sangallo, the Younger (d. 1546)
1530–35 · Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements
Cleared · Public Domain
live
The Goddess Diana as a Personification of the Moon (Luna)
Jacques Jonghelinck (d. 1606)
1563–85 · Pen and brown ink, brush and brown and blue wash, red chalk, white gouache, over black chalk; squared in black chalk
Cleared · Public Domain
live
Naumachia in the Court of Palazzo Pitti, from an Album with Plates documenting the Festivities of the 1589 Wedding of Arch Duke Ferdinand I de’ Medici and Christine of Lorraine
Orazio Scarabelli (d. 1589)
1589–92 · Etching
Cleared · Public Domain
live
Third Triumphal Arch at the ‘Canto dei Carnesecchi’, from an Album with Prints recording the Festivities and Decorations organized in Florence for the 1589 Wedding of Archduke Ferdinand de' Medici and Christine of Lorraine
Orazio Scarabelli (d. 1589)
1589–92 · Etching
Cleared · Public Domain
live
Plate 12: Triumphal arch, elevation of the back facade, surmounted with the arms of Ferdinand and decorated with five mythical or heroic scenes; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'
Johannes Meursius (d. 1699)
1636 · Engraving
Cleared · Public Domain
live
Plate 19: Triumphal arch, elevation of the front, surmounted by a cloud bearing Ferdinand and royal ancestors; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'
Johannes Meursius (d. 1699)
1636 · Engraving
Cleared · Public Domain
live
Plate 27: Triumphal arch, elevation of the back, surmounted by allegorical figures and decorated with scenes from Roman mythology and history; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'
Johannes Meursius (d. 1699)
1636 · Engraving
Cleared · Public Domain
live
Plate 36: Triumphal arch, surmounted with a portrait bust of Ferdinand, flanked by sculptures of Apollo and Diana; ornamented with allegorical scenes below; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'
Johannes Meursius (d. 1699)
1636 · Engraving
Cleared · Public Domain
live
Triumphal arch erected in honor of Cardinal Mazarin after the Treaty of the Pyrénées
François Chauveau (d. 1676)
ca. 1664–65 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Triumphal Arch Erected for Charles V in Nuremberg
Peter Flötner (d. 1546)
1541 · Woodcut printed from two blocks on two sheets of paper; section with double-headed eagle and coat-of-arms at top printed on an additional piece of paper pasted down; letterpress text in Latin and German attached at bottom
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Triumphal Arch with Imagery celebrating Architecture
Anonymous, Central European, 18th century (d. 1800)
ca. 1720–50 · Pen and ink with wash over graphite underdrawing
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Triumphal Arch Erected at Maidstone in Honor of the King by Flint Stacey, Esq. and under which His Majesty Passed to Review the Kent Volunteers at Mote Park, August 1st, 1799
John Barlow (d. 1815)
1799 · Etching
In copyright
live1. Pin the work
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2. Read the arithmetic
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3. Seal and export
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