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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    985 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    589 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,544 matching records exist across the two collections.

Results for "Trophy Cup and Cover"12 records

Institutions answered newest-first by record, interleaved

Cup and Cover by an unrecorded maker, The Metropolitan Museum of Art

Cup and Cover

Unrecorded maker

early 20th century (original dated 1480) · Crystal, and gilded silver

Cleared · Public Domain

live
The MetSimilar
Cover for a Trophy Cup by Peter Bateman, The Cleveland Museum of Art

Cover for a Trophy Cup

Peter Bateman (d. 1825)

1792–93 · Silver, silver gilt

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Cup and Cover by an unrecorded maker, The Metropolitan Museum of Art

Cup and Cover

Unrecorded maker

early 20th century (original dated ca. 1480) · Gilded silver

Cleared · Public Domain

live
The MetSimilar
Trophy Cup and Cover by Peter Bateman, The Cleveland Museum of Art

Trophy Cup and Cover

Peter Bateman (d. 1825)

1792–1793 · Silver, silver gilt

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Cup and cover by Affabel Partridge, The Metropolitan Museum of Art

Cup and cover

Affabel Partridge (d. 1580)

Chinese porcelain, Ming dynasty, ca. 1507–66, British mounts ca. 1570 · Porcelain, gilded silver

Cleared · Public Domain

live
The MetSimilar
Trophy Cup by Peter Bateman, The Cleveland Museum of Art

Trophy Cup

Peter Bateman (d. 1825)

1792–93 · Silver, silver gilt

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Cup and Cover by an unrecorded maker, The Metropolitan Museum of Art

Cup and Cover

Unrecorded maker

early 20th century (original dated 16th century) · Gilded silver

Cleared · Public Domain

live
The MetSimilar
Tankard by an unrecorded maker, The Cleveland Museum of Art

Tankard

Unrecorded maker

1665 · Silver, silver gilt

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Cup and Cover by an unrecorded maker, The Metropolitan Museum of Art

Cup and Cover

Unrecorded maker

early 20th century (original dated 16th century) · Gilded silver

Cleared · Public Domain

live
The MetSimilar
Cup with cover by an unrecorded maker, The Metropolitan Museum of Art

Cup with cover

Unrecorded maker

ca. 1664 · Silver

Cleared · Public Domain

live
The MetSimilar
Two-handled cup with cover by William Gilchrist, The Metropolitan Museum of Art

Two-handled cup with cover

William Gilchrist (d. 1736)

1752/53 · Gold, ebony

Cleared · Public Domain

live
The MetSimilar
Cup and Cover by an unrecorded maker, The Metropolitan Museum of Art

Cup and Cover

Unrecorded maker

1780 · White porcelain decorated with blue under the glaze, polychrome enamels (Arita ware)

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.