
Cranes, Pines, and Bamboo
Ogata Kōrin (d. 1716)
early 18th century · Preparatory drawings remounted as a pair of folding screens; ink and color on paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
959 ms. The Metropolitan Museum of Art, Collection API (Open Access)
351 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 66 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Cranes, Pines, and Bamboo
Ogata Kōrin (d. 1716)
early 18th century · Preparatory drawings remounted as a pair of folding screens; ink and color on paper
Cleared · Public Domain
live
Bassoon in C
Jeanneret workshop (d. 1786)
1771 · Maple, brass
Cleared · Public Domain
live
Rooster in a Storm
Sō Shizan (d. 1805)
1783 · Hanging scroll; ink, color, and gold on silk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Archaeological Plate with Ornament Designs from the "Cirque de Caracalla" in Rome
Anonymous, French, 18th century (d. 1800)
18th century (?) · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Etchings for the Art-Union of London
The Etching Club (d. 1885)
1857 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Troubadours Singing the Glories of the Crusades, from "History of the Crusades"
Paul-Parcel Jonnard (d. 1902)
after 1880 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Sketch for Memorial Window, [Second] Congregational Church, Northampton, Mass"
Louis C. Tiffany (d. 1933)
ca. 1905 · Transparent and opaque watercolor, and graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vase
Louis C. Tiffany (d. 1933)
ca. 1913 · Favrile glass
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vase
Louis C. Tiffany (d. 1933)
1893–1925 · Favrile glass
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for panel of "Te Deum" Mosaic Triptych. First Methodist Episcopal Church, Los Angeles, California
Louis C. Tiffany (d. 1933)
ca. 1921 · Transparent and opaque watercolor, and graphite on paper, squared in pencil
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Guitar
C. F. Martin & Co.
1959 · Mahogany, rosewood, spruce, metal, plastic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Guitar
C. F. Martin & Co.
1961 · Mahogany, spruce, rosewood, metal, plastic
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.