
Woman walking and holding her skirt with her right hand, shown in three-quarters view with head turned toward the viewer, from "Figures of Fashion" (Figures de modes)
Antoine Watteau (d. 1721)
ca. 1710 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
527 ms. The Metropolitan Museum of Art, Collection API (Open Access)
434 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 243 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Woman walking and holding her skirt with her right hand, shown in three-quarters view with head turned toward the viewer, from "Figures of Fashion" (Figures de modes)
Antoine Watteau (d. 1721)
ca. 1710 · Etching
Cleared · Public Domain
live
A South West View of the City of New York, in North America
Pierre Charles Canot (d. 1777)
ca. 1768 · Etching and engraving; probably second or third state
Cleared · Public Domain
live
“Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi)
Kitagawa Utamaro (d. 1806)
ca. 1790 · Woodblock print; ink and color on paper
Cleared · Public Domain
live
The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya Hanaōgi), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen)
Chōbunsai Eishi 鳥文斎栄之 (d. 1829)
ca. 1794 (Kansei 6) · Woodblock print (nishiki-e); ink and color on paper
Cleared · Public Domain
live
The Courtesan Hinazuru of the Chōjiya Brothel (Chōjiya Hinazuru), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen)
Chōbunsai Eishi (d. 1829)
ca. 1795 · Woodblock print; ink and color on paper
Cleared · Public Domain
live
Female Entertainer with Shamisen
Teisai Hokuba (d. 1844)
early 19th century · Hanging scroll; ink and color on paper
Cleared · Public Domain
live
View of the Yokohama Pleasure Quarters of Kanagawa at Cherry Blossom Time
Utagawa (Gountei) Sadahide (d. 1873)
2nd month, 1860 · Triptych of woodblock prints; ink and color on paper
Cleared · Public Domain
live
Foreigners Enjoying Themselves in the Gankirō
Utagawa Yoshikazu (d. 1870)
ca. 1861 · Triptych of woodblock prints; ink and color on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ideal Cityscape or 'True Representation of the Capitoline Hill in Antiquity' (Vera Antiqui Capitoli Descriptio). Right Sheet of a Three-part View.
Anonymous, Italian, 16th century (d. 1600)
1602 · Engraving [5th edition]
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Authentic View of the Bar Room, in the Log Cabin, Broadway, New York, Head Quarters of the 14th Ward Tippecanoe Club (Political Broadside)
Anonymous, American, 19th century (d. 1900)
1840 · Woodcut and letterpress
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
True View of the Pleasure Quarters with Cherry Blossoms in Full Bloom in the Miyozki District of the New Port of Yokohama, Kanagawa
Utagawa (Gountei) Sadahide (d. 1873)
3rd month, 1860 · Triptych of woodblock prints; ink and color on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dorothy True
Alfred Stieglitz (d. 1946)
1919 · Gelatin silver print
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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