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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    527 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    434 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 243 matching records exist across the two collections.

Results for "True View of the Pleasure Quarters with"12 records

Institutions answered newest-first by record, interleaved

Woman walking and holding her skirt with her right hand, shown in three-quarters view with head turned toward the viewer, from "Figures of Fashion" (Figures de modes) by Antoine Watteau, The Metropolitan Museum of Art

Woman walking and holding her skirt with her right hand, shown in three-quarters view with head turned toward the viewer, from "Figures of Fashion" (Figures de modes)

Antoine Watteau (d. 1721)

ca. 1710 · Etching

Cleared · Public Domain

live
The MetSimilar
A South West View of the City of New York, in North America by Pierre Charles Canot, The Metropolitan Museum of Art

A South West View of the City of New York, in North America

Pierre Charles Canot (d. 1777)

ca. 1768 · Etching and engraving; probably second or third state

Cleared · Public Domain

live
The MetSimilar
“Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi) by Kitagawa Utamaro, The Metropolitan Museum of Art

“Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi)

Kitagawa Utamaro (d. 1806)

ca. 1790 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya Hanaōgi), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen) by Chōbunsai Eishi 鳥文斎栄之, The Metropolitan Museum of Art

The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya Hanaōgi), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen)

Chōbunsai Eishi 鳥文斎栄之 (d. 1829)

ca. 1794 (Kansei 6) · Woodblock print (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Courtesan Hinazuru of the Chōjiya Brothel (Chōjiya Hinazuru), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen) by Chōbunsai Eishi, The Metropolitan Museum of Art

The Courtesan Hinazuru of the Chōjiya Brothel (Chōjiya Hinazuru), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen)

Chōbunsai Eishi (d. 1829)

ca. 1795 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Female Entertainer with Shamisen by Teisai Hokuba, The Metropolitan Museum of Art

Female Entertainer with Shamisen

Teisai Hokuba (d. 1844)

early 19th century · Hanging scroll; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
View of the Yokohama Pleasure Quarters of Kanagawa at Cherry Blossom Time by Utagawa (Gountei) Sadahide, The Metropolitan Museum of Art

View of the Yokohama Pleasure Quarters of Kanagawa at Cherry Blossom Time

Utagawa (Gountei) Sadahide (d. 1873)

2nd month, 1860 · Triptych of woodblock prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Foreigners Enjoying Themselves in the Gankirō by Utagawa Yoshikazu, The Metropolitan Museum of Art

Foreigners Enjoying Themselves in the Gankirō

Utagawa Yoshikazu (d. 1870)

ca. 1861 · Triptych of woodblock prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ideal Cityscape or 'True Representation of the Capitoline Hill in Antiquity' (Vera Antiqui Capitoli Descriptio). Right Sheet of a Three-part View.

Anonymous, Italian, 16th century (d. 1600)

1602 · Engraving [5th edition]

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Authentic View of the Bar Room, in the Log Cabin, Broadway, New York, Head Quarters of the 14th Ward Tippecanoe Club (Political Broadside)

Anonymous, American, 19th century (d. 1900)

1840 · Woodcut and letterpress

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

True View of the Pleasure Quarters with Cherry Blossoms in Full Bloom in the Miyozki District of the New Port of Yokohama, Kanagawa

Utagawa (Gountei) Sadahide (d. 1873)

3rd month, 1860 · Triptych of woodblock prints; ink and color on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dorothy True

Alfred Stieglitz (d. 1946)

1919 · Gelatin silver print

In copyright

live
The MetSimilar

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