
Strasbourg: The Kehl Bridge, from "German Views"
Wenceslaus Hollar (d. 1677)
1665 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
2365 ms. The Metropolitan Museum of Art, Collection API (Open Access)
332 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,480 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Strasbourg: The Kehl Bridge, from "German Views"
Wenceslaus Hollar (d. 1677)
1665 · Etching
Cleared · Public Domain
live
Tsukudajima from Eitai Bridge, from the series One Hundred Views of Famous Places in Edo
Utagawa Hiroshige (d. 1858)
1858 · Print, color woodblock print
Cleared · CC0
live
The Bridge
Albert Pinkham Ryder (d. 1917)
ca. 1880 · Oil on gilt leather
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Southwark Bridge, From Bankside
William Wallis (d. 1878)
July 28, 1827 · Steel engraving, with later hand-coloring
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Williamsburg from the Bridge (Sketch)
Charles Adams Platt (d. 1933)
1889 · Etching and drypoint; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Brooklyn Bridge
Rudolph Ruzicka (d. 1978)
1915 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Brooklyn Bridge from Brooklyn (The Sun)
John Marin (d. 1953)
1915 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
From Hungerford Bridge
Edgar Wilson (d. 1918)
1875–1918 · Etching with plate tone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fishing From The Bridge
Frederick George Austin (d. 1990)
1927 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
From Williamsburg Bridge
Edward Hopper (d. 1967)
1928 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lower Manhattan from the Bridge
John Marin (d. 1953)
1931 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Village from across the bridge]
B. J. O. Nordfeldt (d. 1955)
1934–36 · Lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.