
Vase fragments, 2
Unrecorded maker
-30 · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
647 ms. The Metropolitan Museum of Art, Collection API (Open Access)
334 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 392 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Vase fragments, 2
Unrecorded maker
-30 · Terracotta
Cleared · Public Domain
live
Tulip Vase
Unrecorded maker
17th century · Stonepaste; painted in blue under transparent glaze
Cleared · Public Domain
live
Tulip Vase
Unrecorded maker
ca. 1700–1720 · Tin-glazed earthenware
Cleared · Public Domain
live
Tulip vase from a garniture
Vienna
ca. 1725 · Hard-paste porcelain decorated in polychrome enamel, gold
Cleared · Public Domain
live
Pair of vases
Frederick Sonne
ca. 1875 · Terracotta
Cleared · Public Domain
live
Tulip vases (2)
Elkington & Co. (d. 1963)
ca. 1885 · Gilt bronze and cloisonné enamel
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New Book of Vases (Nouveau Livre de Vases), Plate 2
Juste Nathan Boucher (d. 1782)
1755–67 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 2, from "New Book of Vases" (Nouveau Livre de Vases)
Juste Nathan Boucher (d. 1782)
1755–67 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plates 1 and 2 from "Septième Cahier du Recueil d'Ornemens: Vases Antiques" (Antiques Vases)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 2, from "Recueil de Vases analogues aux cinq ordres d'Architecture"
Guillaume Martin Couture (d. 1799)
18th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Crude Unglazed Ceramic Vase with Tulip Leaves]
Walker Evans (d. 1975)
1928–34 · Film negative
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.