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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    206 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    287 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 27 matching records exist across the two collections.

Results for "Tulipes (Tulips), pl. 8"12 records

Institutions answered newest-first by record, interleaved

New Modelbüch by Andreas Bretschneider, The Metropolitan Museum of Art

New Modelbüch

Andreas Bretschneider (d. 1645)

1615 · Hand colored etching, woodcut

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Series of Progressive Lessons Intended to Elucidate the Art of Flower Painting in Water Colours

John Hill (d. 1850)

1818 · Illustrations: aquatints, some hand colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rip Van Winkle

Margaret Neilson Armstrong (d. 1944)

1899

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rip Van Winkle : [red]

Margaret Neilson Armstrong (d. 1944)

1899

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The legend of Sleepy Hollow : [red]

Margaret Neilson Armstrong (d. 1944)

1899

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The legend of Sleepy Hollow : [white]

Margaret Neilson Armstrong (d. 1944)

1899

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tulipes (Tulips), pl. 7

Emile-Allain Séguy (d. 1951)

[1902] · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tulipes (Tulips), pl. 8

Emile-Allain Séguy (d. 1951)

[1902] · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tulipes (Tulips), pl. 9

Emile-Allain Séguy (d. 1951)

[1902] · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studio d'Arts Décoratifs, 4e Série, Pl. 10, Coins. – Silhouette d’Arbre par la Neige. – Ovales et Carrés. – Oiseaux en Hiver. – Traits. – Tulipes, – Fuchsias.

Hennequin-Rêveur

[ca. 1930] · Pochoir, commercial photo process, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studio d'Arts Décoratifs, 4e Série, Pl. 3, Tulipes et Pivoines. – Roses et feuilles de Chênes. – Symphonie de couleurs. – Confettis et feuillages fantaisie. – Fleurs entrelacées.

Hennequin-Rêveur

[ca. 1930] · Pochoir, commercial photo process, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studio d'Arts Décoratifs, 4e Série, Pl. 7, Genre Mosaïque. – Racines enchevêtrées. – Roses et Bijoux. – Tulipes. – Martin-Pêcheur.

Hennequin-Rêveur

[ca. 1930] · Pochoir, commercial photo process, hand-colored

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.