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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1029 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    306 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Tweezer-razor from the Burial of Amenemh"10 records

Institutions answered newest-first by record, interleaved

Cosmetic set of Kohl Tube and Applicator, Razor, Tweezers, Whetstone, and Mirror by an unrecorded maker, The Metropolitan Museum of Art

Cosmetic set of Kohl Tube and Applicator, Razor, Tweezers, Whetstone, and Mirror

Unrecorded maker

ca. 1550–1458 BCE · Bronze or copper alloy, stone, ivory, wood

Cleared · Public Domain

live
The MetSimilar
Tweezer-razor from the Burial of Amenemhat by an unrecorded maker, The Metropolitan Museum of Art

Tweezer-razor from the Burial of Amenemhat

Unrecorded maker

ca. 1504–1447 BCE · Bronze or copper alloy

Cleared · Public Domain

live
The MetSimilar
Cosmetic Spoon of Ruiu by an unrecorded maker, The Metropolitan Museum of Art

Cosmetic Spoon of Ruiu

Unrecorded maker

ca. 1504–1447 BCE · Bronze or copper alloy

Cleared · Public Domain

live
The MetSimilar
Cowroid Stamp Seal from Ruiu's Burial by an unrecorded maker, The Metropolitan Museum of Art

Cowroid Stamp Seal from Ruiu's Burial

Unrecorded maker

ca. 1504–1447 BCE · Steatite (glazed)

Cleared · Public Domain

live
The MetSimilar
Scarab from Ruiu's Burial by an unrecorded maker, The Metropolitan Museum of Art

Scarab from Ruiu's Burial

Unrecorded maker

ca. 1504–1447 BCE · Steatite (glazed)

Cleared · Public Domain

live
The MetSimilar
Scarab from Ruiu's Burial by an unrecorded maker, The Metropolitan Museum of Art

Scarab from Ruiu's Burial

Unrecorded maker

ca. 1504–1447 BCE · Steatite (glazed)

Cleared · Public Domain

live
The MetSimilar
Scarab from Ruiu's Burial by an unrecorded maker, The Metropolitan Museum of Art

Scarab from Ruiu's Burial

Unrecorded maker

ca. 1504–1447 BCE · Steatite (glazed)

Cleared · Public Domain

live
The MetSimilar
Scarab from Ruiu's Burial by an unrecorded maker, The Metropolitan Museum of Art

Scarab from Ruiu's Burial

Unrecorded maker

ca. 1504–1447 BCE · Glazed steatite

Cleared · Public Domain

live
The MetSimilar
Tupu (pin) by Inca artist(s), The Metropolitan Museum of Art

Tupu (pin)

Inca artist(s)

1400–1535 CE · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Bell by an unrecorded maker, The Metropolitan Museum of Art

Bell

Unrecorded maker

11th–16th century · Copper or copper alloy

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.