Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1847 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    501 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 73 matching records exist across the two collections.

Results for "Twenty Views of Paris and Environs: Vie"12 records

Institutions answered newest-first by record, interleaved

View of the gate of the residence of the Queen Mother, from "Views and new perspectives, drawn from the most beautiful places of Paris and environs" (Veües et perspectives nouvelles, tirées sur les plus beaux lieux de Paris et des environs) by Claude Goyrand, The Metropolitan Museum of Art

View of the gate of the residence of the Queen Mother, from "Views and new perspectives, drawn from the most beautiful places of Paris and environs" (Veües et perspectives nouvelles, tirées sur les plus beaux lieux de Paris et des environs)

Claude Goyrand (d. 1662)

ca. 1644 · Etching

Cleared · Public Domain

live
The MetSimilar
Sketchbook with views of Tours, France and its environs by Eugène Delacroix, The Metropolitan Museum of Art

Sketchbook with views of Tours, France and its environs

Eugène Delacroix (d. 1863)

1828–29 · Graphite and watercolor on wove paper

Cleared · Public Domain

live
The MetSimilar
Etchings of Paris; Title page to the suite by Charles Meryon, The Metropolitan Museum of Art

Etchings of Paris; Title page to the suite

Charles Meryon (d. 1868)

1852 · Etching on brown wove paper; first state

Cleared · Public Domain

live
The MetSimilar
Temple of Vesta by Pietro Dovizielli, The Metropolitan Museum of Art

Temple of Vesta

Pietro Dovizielli (d. 1885)

1850s · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Vienne, Souterrain by Edouard Baldus, The Metropolitan Museum of Art

Vienne, Souterrain

Edouard Baldus (d. 1889)

ca. 1861 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Second Volume.  Par A. Liébert, text par Alfred d'Aunay. by Alphonse J. Liébert, The Metropolitan Museum of Art

Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Second Volume. Par A. Liébert, text par Alfred d'Aunay.

Alphonse J. Liébert (d. 1913)

1870–71 · Albumen silver prints from glass negatives

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

XII Views in Aquatinta From Drawings Taken on the Spot in South Wales

Paul Sandby (d. 1809)

1775 · Etching and aquatint; third state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Selection of Twenty of the Most Picturesque Views in Paris and its Environs

Thomas Girtin (d. 1802)

1802 · Soft-ground etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Selection of Twenty of the Most Picturesque Views in Paris and its Environs

Thomas Girtin (d. 1802)

1803 · Etching, engraving, soft-ground etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title Page: A Selection of Twenty of the Most Picturesque Views in Paris and its Environs

Thomas Girtin (d. 1802)

1803 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Paris and Its Environs, Displayed in a Series of Picturesque Views . . .

Auguste Charles Pugin (d. 1832)

[ca. 1850] · Illustrations: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Group of 5 Stereograph Views of the Place de la Concorde, Paris, France]

Paris et ses Environs

1850s–1910s · Albumen silver prints

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.