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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1425 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    336 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 67 matching records exist across the two collections.

Results for "Twenty-four Illustrations of Poems of th"12 records

Institutions answered newest-first by record, interleaved

Poems on Paintings, Written for Ma Yueguan by Jin Nong, The Metropolitan Museum of Art

Poems on Paintings, Written for Ma Yueguan

Jin Nong (d. 1773)

dated 1754 · Album of eleven double leaves; ink on paper

Cleared · Public Domain

live
The MetSimilar
Twenty-four Illustrations of Poems of the Thirty-six Poets by Torii Kiyonaga, The Metropolitan Museum of Art

Twenty-four Illustrations of Poems of the Thirty-six Poets

Torii Kiyonaga (d. 1815)

ca. 1790 · Ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Gallery of Illustrious Americans, Containing the Portraits and Biographical Sketches of Twenty-four of the Most Eminent Citizens of the American Republic Since the Death of Washington by Brady, D'Avignon and Company, The Metropolitan Museum of Art

The Gallery of Illustrious Americans, Containing the Portraits and Biographical Sketches of Twenty-four of the Most Eminent Citizens of the American Republic Since the Death of Washington

Brady, D'Avignon and Company (d. 1900)

1850 · Illustrations: lithographs after daguerrotypes

Cleared · Public Domain

live
The MetSimilar
The Relief Fund in Lancashire (for "Once a Week," July 26, 1862) by James McNeill Whistler, The Metropolitan Museum of Art

The Relief Fund in Lancashire (for "Once a Week," July 26, 1862)

James McNeill Whistler (d. 1903)

1862 · Wood engraving; proof

Cleared · Public Domain

live
The MetSimilar
The Relief Fund in Lancashire (for "Once a Week") by James McNeill Whistler, The Metropolitan Museum of Art

The Relief Fund in Lancashire (for "Once a Week")

James McNeill Whistler (d. 1903)

July 26, 1862 · Wood engraving; proof

Cleared · Public Domain

live
The MetSimilar
A Course of Water-Colour Painting with Twenty-Four Coloured Plates from Designs by R. P. Leitch by Richard Principal Leitch, The Metropolitan Museum of Art

A Course of Water-Colour Painting with Twenty-Four Coloured Plates from Designs by R. P. Leitch

Richard Principal Leitch (d. 1882)

1886 · Illustrations: color lithographs

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates

Thomas Hood (d. 1845)

1858 · Illustrations: etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Dream of Eugene Aram (No. 1 in "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")

Charles Rossiter (d. 1897)

1858 · Illustrations: etching on chine collé

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Elm Tree (No. 3 in "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")

Sir John Tenniel (d. 1914)

1858 · Illustrations: etching on chine collé

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mythologique, Artistic Spoon and Fork Patterns, in a Series of Twenty-four Designs of Mythological Subjects

Gorham Manufacturing Company (d. 9999)

1896 · Illustrations: lithography and photomechanical process

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Wonder Clock or Four & Twenty Marvelous Tales, Being One for Each Hour of the Day

Howard Pyle (d. 1911)

1915 · Illustrations: photomechanical reproductions

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Four and Twenty Blackbirds: Old Nursery Rhymes

Helen Dean Fish (d. 1999)

1937 · Illustrations: photomechanical reproductions of drawings

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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