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A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1572 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    786 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 1,337 matching records exist across the two collections.

Results for "Two Alternate Elevations for an Interio"12 records

Institutions answered newest-first by record, interleaved

Drawing Showing Two Alternate Designs for an Ornamental Niche or Panel by Ercole Procaccini The Younger, The Metropolitan Museum of Art

Drawing Showing Two Alternate Designs for an Ornamental Niche or Panel

Ercole Procaccini The Younger (d. 1680)

17th century · Pen and brown ink, brush and gray wash over black chalk

Cleared · Public Domain

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The MetSimilar
Two Alternate Designs for a Doorway by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate Designs for a Doorway

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

ca. 1730–60 · Pen and brown ink, brush and brown, gray, yellow, and red wash, over leadpoint or graphite

Cleared · Public Domain

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The MetSimilar
Design for a Bath in the Form of an Elongated Polygonal Temple, Plan and Two Elevations by John Vardy, The Metropolitan Museum of Art

Design for a Bath in the Form of an Elongated Polygonal Temple, Plan and Two Elevations

John Vardy (d. 1765)

mid-18th century · Pen and ink, brush and wash

Cleared · Public Domain

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The MetSimilar
Two  Alternate Elevations for an Interior Wall by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate Elevations for an Interior Wall

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and gray ink, brush and watercolor over graphite, with ruled and compass construction

Cleared · Public Domain

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The MetSimilar
Two Alternate Designs for a Decoration over an Arched Opening with an Ornamental Cove by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate Designs for a Decoration over an Arched Opening with an Ornamental Cove

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush and green, dark yellow wash, over leadpoint, with ruled construction

Cleared · Public Domain

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The MetSimilar
Two Alternate Designs for a Frame or an Altar (?) by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate Designs for a Frame or an Altar (?)

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush with gray and light brown wash, over leadpoint or graphite, with ruled and compass construction; framing outlines in pen and brown ink over graphite or lead point

Cleared · Public Domain

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The MetSimilar
Two Alternate Designs for an Altar by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate Designs for an Altar

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush and watercolor, over leadpoint or graphite, with ruled and compass construction; scale at bottom in pen and brown ink

Cleared · Public Domain

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The MetSimilar
Two Alternate Designs for an Altar by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate Designs for an Altar

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and dark brown ink, brush and gray wash, over leadpoint or graphite, with ruled and compass construction

Cleared · Public Domain

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The MetSimilar
Two Alternate Designs for an Altar (?) by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate Designs for an Altar (?)

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush with gray and red-chalk wash, over graphite or leadpoint, with ruled and compass construction; framing lines in pen and brown ink; scale, at bottom, in pen and brown ink

Cleared · Public Domain

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The MetSimilar
Two alternate designs for an arch below a window by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two alternate designs for an arch below a window

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink over graphite; ruled and compass construction in pen and brown ink

Cleared · Public Domain

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The MetSimilar
Two alternate designs for stucco for an Italian ceiling by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two alternate designs for stucco for an Italian ceiling

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–80 · Pen and dark brown ink, brush and gray an red chalk wash over leadpoint or graphite, with ruled and compass construction; scale at bottom of drawing in pen and brown ink over leadpoint or graphite

Cleared · Public Domain

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The MetSimilar
Grave Monument Design (Two Elevations) by Alexander Maxwell, The Metropolitan Museum of Art

Grave Monument Design (Two Elevations)

Alexander Maxwell (d. 1880)

1840–80 · Brown ink

Cleared · Public Domain

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The MetSimilar

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