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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    500 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    275 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 209 matching records exist across the two collections.

Results for "Two Alternate Designs for a Balustrade w"12 records

Institutions answered newest-first by record, interleaved

Two Alternate Designs for a Doorway by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate Designs for a Doorway

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

ca. 1730–60 · Pen and brown ink, brush and brown, gray, yellow, and red wash, over leadpoint or graphite

Cleared · Public Domain

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The MetSimilar
Two Alternate Designs for a Balustrade with Architectural Perspective by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate Designs for a Balustrade with Architectural Perspective

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush with brown, gray wash and watercolor, over leadpoint or graphite, with ruled and compass construction; some dotted framing lines in pen and brown ink

Cleared · Public Domain

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The MetSimilar
Two Alternate Designs for a Chapel by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate Designs for a Chapel

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–80 · Pen and brown ink, brush and gray and brown wash, over leadpoint or graphite, with ruled and compass construction

Cleared · Public Domain

live
The MetSimilar
Two Alternate Designs for a Church Façade by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate Designs for a Church Façade

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, over leadpoint or graphite, with ruled and compass construction

Cleared · Public Domain

live
The MetSimilar
Two Alternate Designs for a Door Frame by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate Designs for a Door Frame

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, over leadpoint or graphite, with ruled construction (recto); leadpoint or graphite (verso)

Cleared · Public Domain

live
The MetSimilar
Two Alternate Designs for a Doorway by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate Designs for a Doorway

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Brush and gray wash, over ruled and compass constructions in leadpoint or graphite

Cleared · Public Domain

live
The MetSimilar
Two Alternate Designs for a Doorway by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate Designs for a Doorway

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Brush and gray wash, over ruled and compass constructions in leadpoint or graphite

Cleared · Public Domain

live
The MetSimilar
Two Alternate designs for a Frame by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate designs for a Frame

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–80 · Pen and black ink, brush and gray, yellow, and red wash over leadpoint, with ruled and compass construction

Cleared · Public Domain

live
The MetSimilar
Two alternate Designs for a frame of door by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two alternate Designs for a frame of door

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush and gray wash over leadpoint, with ruled and compass construction

Cleared · Public Domain

live
The MetSimilar
Two Alternate Designs for a Pedentive by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate Designs for a Pedentive

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush with brown, gray and mauve wash over leadpoint, with ruled and compass construction; framing outlines with pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Designs for Two Ewers, a Carafe (two alternate designs), and a Covered Tureen by Alfred Henry Forrester [Alfred Crowquill], The Metropolitan Museum of Art

Designs for Two Ewers, a Carafe (two alternate designs), and a Covered Tureen

Alfred Henry Forrester [Alfred Crowquill] (d. 1872)

1845–55 · Pen and ink, watercolor

Cleared · Public Domain

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The MetSimilar
Study with Two Alternate Designs for a Cartouche by Anonymous, Italian, 19th century, The Metropolitan Museum of Art

Study with Two Alternate Designs for a Cartouche

Anonymous, Italian, 19th century (d. 1900)

19th century · Pen and brown ink over black chalk or graphite

Cleared · Public Domain

live
The MetSimilar

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