
Drawing Showing Two Alternate Designs for an Ornamental Niche or Panel
Ercole Procaccini The Younger (d. 1680)
17th century · Pen and brown ink, brush and gray wash over black chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
230 ms. The Metropolitan Museum of Art, Collection API (Open Access)
543 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 12,617 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Drawing Showing Two Alternate Designs for an Ornamental Niche or Panel
Ercole Procaccini The Younger (d. 1680)
17th century · Pen and brown ink, brush and gray wash over black chalk
Cleared · Public Domain
live
Two Alternate Designs for a Doorway
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
ca. 1730–60 · Pen and brown ink, brush and brown, gray, yellow, and red wash, over leadpoint or graphite
Cleared · Public Domain
live
Two Alternate Designs for a Door Frame
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, over leadpoint or graphite, with ruled construction (recto); leadpoint or graphite (verso)
Cleared · Public Domain
live
Two Alternate Designs for a Doorway
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Brush and gray wash, over ruled and compass constructions in leadpoint or graphite
Cleared · Public Domain
live
Two Alternate designs for a Frame
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–80 · Pen and black ink, brush and gray, yellow, and red wash over leadpoint, with ruled and compass construction
Cleared · Public Domain
live
Two alternate Designs for a frame of door
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush and gray wash over leadpoint, with ruled and compass construction
Cleared · Public Domain
live
Two Alternate Designs for a Frame or an Altar (?)
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush with gray and light brown wash, over leadpoint or graphite, with ruled and compass construction; framing outlines in pen and brown ink over graphite or lead point
Cleared · Public Domain
live
Two Alternate Designs for a Wall with a Frame for a Painting
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and gray ink, brush and gray wash, over graphite or leadpoint, with ruled and compass construction; framing lines in pen and dark gray ink; scale, at bottom, in pen and gray ink
Cleared · Public Domain
live
Two Alternate Designs for an Altar
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush and watercolor, over leadpoint or graphite, with ruled and compass construction; scale at bottom in pen and brown ink
Cleared · Public Domain
live
Two Alternate Designs for an Altar
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and dark brown ink, brush and gray wash, over leadpoint or graphite, with ruled and compass construction
Cleared · Public Domain
live
Two Alternate Designs for an Altar (?)
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush with gray and red-chalk wash, over graphite or leadpoint, with ruled and compass construction; framing lines in pen and brown ink; scale, at bottom, in pen and brown ink
Cleared · Public Domain
live
Two alternate designs for an arch below a window
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink over graphite; ruled and compass construction in pen and brown ink
Cleared · Public Domain
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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