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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    395 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    498 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 79 matching records exist across the two collections.

Results for "Two Angels, Study for the Val de Grâce"12 records

Institutions answered newest-first by record, interleaved

Nose ornament by Frías artist(s), The Metropolitan Museum of Art

Nose ornament

Frías artist(s)

300–600 CE · Gold

Cleared · Public Domain

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The MetSimilar
The Trinity by Bartolomeo di Giovanni, The Metropolitan Museum of Art

The Trinity

Bartolomeo di Giovanni (d. 1501)

1501 · Tempera on wood

Cleared · Public Domain

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The MetSimilar
Hip-joint armchair (sillón de cadera or jamuga) by an unrecorded maker, The Metropolitan Museum of Art

Hip-joint armchair (sillón de cadera or jamuga)

Unrecorded maker

ca. 1480–1500 · Walnut and elm, partly veneered and inlaid with different woods, ivory, bone (camel?) and pewter; covered in silk velvet not original to the armchair

Cleared · Public Domain

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The MetSimilar
Design for the Tomb of Pope Julius II della Rovere by Michelangelo Buonarroti, The Metropolitan Museum of Art

Design for the Tomb of Pope Julius II della Rovere

Michelangelo Buonarroti (d. 1564)

1505–6 · Pen and brown ink, brush and brown wash, over stylus ruling and leadpoint

Cleared · Public Domain

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The MetSimilar
Cosimo I de' Medici (1519–1574), Duke of Florence by Baccio Bandinelli, The Metropolitan Museum of Art

Cosimo I de' Medici (1519–1574), Duke of Florence

Baccio Bandinelli (d. 1560)

1539–40 · Marble

Cleared · Public Domain

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The MetSimilar
Study for the Allegory of San Gimignano and Colle Val d'Elsa by Jacopo Zucchi, The Metropolitan Museum of Art

Study for the Allegory of San Gimignano and Colle Val d'Elsa

Jacopo Zucchi (d. 1596)

1563 · Pen and brown ink, highlighted with white gouache, traces of squaring in black chalk (on top of drawing surface), over traces of black chalk on blue paper

Cleared · Public Domain

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The MetSimilar
Christ and the Two Thieves Crucified by Michelangelo Buonarroti, The Metropolitan Museum of Art

Christ and the Two Thieves Crucified

Michelangelo Buonarroti (d. 1564)

ca. 1560–70 · Bronze

Cleared · Public Domain

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The MetSimilar
Saint John by Antonio Susini, The Metropolitan Museum of Art

Saint John

Antonio Susini (d. 1624)

1596 · Bronze

Cleared · Public Domain

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The MetSimilar
Saint Matthew by Antonio Susini, The Metropolitan Museum of Art

Saint Matthew

Antonio Susini (d. 1624)

1596 · Bronze

Cleared · Public Domain

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The MetSimilar
Study for an Angel (recto); Study of a Cushion (verso) by Annibale Carracci, The Metropolitan Museum of Art

Study for an Angel (recto); Study of a Cushion (verso)

Annibale Carracci (d. 1609)

1600–1602 · Charcoal or soft black chalk, highlighted with white chalk, on blue paper; several scattered stains of rose-colored paint at lower left (recto); black chalk with some white chalk highlights (verso)

Cleared · Public Domain

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The MetSimilar
Saint Sebastian Clubbed to Death by Andrea Camassei, The Metropolitan Museum of Art

Saint Sebastian Clubbed to Death

Andrea Camassei (d. 1649)

1602–49 · Red chalk, over some faint traces of black chalk

Cleared · Public Domain

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The MetSimilar
Two Angels, Study for the Val de Grâce by Pierre Mignard, The Metropolitan Museum of Art

Two Angels, Study for the Val de Grâce

Pierre Mignard (d. 1695)

17th century · Black chalk, heightened with white chalk on light brown antique laid paper, squared in red chalk

Cleared · Public Domain

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The MetSimilar

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