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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    235 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    340 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 33 matching records exist across the two collections.

Results for "Two Beauties at Spring Garden with a Pon"12 records

Institutions answered newest-first by record, interleaved

Garden of the Inept Administrator by Wen Zhengming, The Metropolitan Museum of Art

Garden of the Inept Administrator

Wen Zhengming (d. 1559)

1551 · Album of eight leaves; ink on paper

Cleared · Public Domain

live
The MetSimilar
“Butterflies” (Kochō), from the Tale of Genji by Tosa Mitsuyoshi, The Metropolitan Museum of Art

“Butterflies” (Kochō), from the Tale of Genji

Tosa Mitsuyoshi (d. 1613)

late 16th–early 17th century · Six-panel folding screen; ink, color, gold, and gold leaf on paper

Cleared · Public Domain

live
The MetSimilar
Insects, Butterflies, and a Dragonfly by Jan van Kessel, The Metropolitan Museum of Art

Insects, Butterflies, and a Dragonfly

Jan van Kessel (d. 1679)

1662 · Black chalk, watercolor and gouache on parchment

Cleared · Public Domain

live
The MetSimilar
Insects, Butterflies, and a Grasshopper by Jan van Kessel, The Metropolitan Museum of Art

Insects, Butterflies, and a Grasshopper

Jan van Kessel (d. 1679)

1664 · Black chalk, watercolor and gouache on parchment

Cleared · Public Domain

live
The MetSimilar
Watch with scenes from the story of Rebekah at the well by Johannes van Ceulen, The Metropolitan Museum of Art

Watch with scenes from the story of Rebekah at the well

Johannes van Ceulen (d. 1715)

ca. 1676–80 · Case: painted enamel on gold, and raised enamel on gold; Movement: gilded brass, partly blued steel, and silver

Cleared · Public Domain

live
The MetSimilar
Poem by the Monk Sosei (act. 850-97) by Suzuki Harunobu, The Metropolitan Museum of Art

Poem by the Monk Sosei (act. 850-97)

Suzuki Harunobu (d. 1770)

ca. 1767–68 · Woodblock print; ink and color on paper, with embossing (karazuri)

Cleared · Public Domain

live
The MetSimilar
At the Tsutsui Well by Chōbunsai Eishi, The Metropolitan Museum of Art

At the Tsutsui Well

Chōbunsai Eishi (d. 1829)

ca. 1781–1800 · Triptych of woodblock prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Two Beauties by Kitagawa Utamaro, The Metropolitan Museum of Art

Two Beauties

Kitagawa Utamaro (d. 1806)

ca. 1801–4 · Hanging scroll; ink and color on silk

Cleared · Public Domain

live
The MetSimilar
Two Beauties at Spring Garden with a Pond by Toyohara Kunichika, The Metropolitan Museum of Art

Two Beauties at Spring Garden with a Pond

Toyohara Kunichika (d. 1900)

ca. 2nd month, 1864 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

English Rustic Pictures Drawn by Frederick Walker, A.R.A., and G. J. Pinwell

Frederick Walker (d. 1875)

1882 · Illustrations: wood engravings, India Proofs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Narcissi

Charles Demuth (d. 1935)

1917 · Watercolor and graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Spring

Elisheva Biernoff (d. 9999)

2016 · Acrylic on plywood

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.