Two Cows and a Sheep, plate 4 from "Different Animals"
Adriaen van de Velde (d. 1672)
1672 · Etching
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
833 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
390 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 412 matching records exist across the two collections.
Results for "Two Cows and a Sheep, plate 4 from "Diff"12 records
Institutions answered newest-first by record, interleaved
Plate 4, from "Small Flower Motifs"
Paul Androuet Ducerceau (d. 1710)
ca. 1670–85 · Etching
Cleared · Public Domain
liveThe MetSimilar
Bridge and Cows, part I, plate 2 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
June 11, 1807 · Etching and mezzotint; second state of five (Finberg)
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 4, from "Livre de Plusieurs Cartouches"
Albert Flamen (d. 1688)
1664 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Terrace of a palace with a grotto at left, as well as shepherds, cows, and sheep, from Grottes et jardins, plate 7, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; undescribed state (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Goddess, Two Tritons, and a Putto, from Receuil de Fontaines (Collection of Fountains), plate 4
Gabriel Huquier (d. 1772)
ca. 1720–36 · Etching and engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 4, from "Nouveau livre de cheminées à la mode"
François II de Poilly (d. 1741)
before 1741 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 4, from "Suitte de Trophés"
Jacques Ignace de Latouche (d. 1781)
ca. 1750 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 4: Two young women tending sheep, from Troisieme Livre de Sujets et Pastorales (Third Book of Subjects and Pastorals)
Gabriel Huquier (d. 1772)
1720–72 · Etching and engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Formes et Couleurs, Planche 4
Auguste H. Thomas (d. 1935)
ca. 1930 (?) · Pochoir
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Idées 1, Plate 4
Maurice-Jacques-Yvan Camus
ca. 1933 · Pochoir
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Idées 2, Plate 4
Georges Darcy (d. 1999)
ca. 1933 · Pochoir
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.