
Two candlestick designs
René Boyvin (d. 1598)
ca. 1550–60 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
340 ms. The Metropolitan Museum of Art, Collection API (Open Access)
294 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,222 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Two candlestick designs
René Boyvin (d. 1598)
ca. 1550–60 · Engraving
Cleared · Public Domain
live
Horizontal Panel with Three Thimble Designs and Two Medallions
Johann Theodor de Bry (d. 1623)
1580–1600 · Engraving and blackwork
Cleared · Public Domain
live
Various Cartouche Designs
Francisco Herrera, the Younger ("El Mozo") (d. 1685)
1649 · Engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Panels with Ceiling Designs, from a Series of Six Plates with Ceiling Designs
Daniel Marot the Elder (d. 1752)
1708 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Church Portico at Left and a Mansion Entrance at Right, from Portes Cocheres et d'Eglises, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior with a Canopy Bed at Center and Two Chairs at Left, from Second Liure Dappartements, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Designs for Iron Fences at Left and a Church Portico at Right, from Portes Cocheres et d'Eglises, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Designs for Portes-Cochères, from Portes Cocheres et d'Eglises, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Designs for Portes-Cochères, from Portes Cocheres et d'Eglises, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Designs for Portes-Cochères, from Portes Cocheres et d'Eglises, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Designs for Tables, from Nouveaux Liure d'Orfeurerie, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Hallway with Wrought-iron Details
Georges de Feure (d. 1943)
ca. 1925 · Graphite, ink, watercolor, and metallic paint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.