Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    288 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    306 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 233 matching records exist across the two collections.

Results for "Two Dwarfs Playing Dice, a Dog at Left ("12 records

Institutions answered newest-first by record, interleaved

Terracotta oinochoe: chous (jug) by Niobid Painter, The Metropolitan Museum of Art

Terracotta oinochoe: chous (jug)

Niobid Painter

ca. 450 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Disegni Varij di Polifilo Zancarli (Friezes) by Polifilo Giancarli, The Metropolitan Museum of Art

Disegni Varij di Polifilo Zancarli (Friezes)

Polifilo Giancarli (d. 1625)

ca. 1625 · etching

Cleared · Public Domain

live
The MetSimilar
Guardroom with the Deliverance of Saint Peter by David Teniers the Younger, The Metropolitan Museum of Art

Guardroom with the Deliverance of Saint Peter

David Teniers the Younger (d. 1690)

ca. 1645–47 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Two Dwarfs Playing Dice, a Dog at Left (recto); Study of a Leg (verso) by Faustino Bocchi, The Metropolitan Museum of Art

Two Dwarfs Playing Dice, a Dog at Left (recto); Study of a Leg (verso)

Faustino Bocchi (d. 1741)

1659–1742 · Pen and brown ink, over red chalk (recto), red chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Dwarf (one of a pair) by Villeroy, The Metropolitan Museum of Art

Dwarf (one of a pair)

Villeroy (d. 1748)

ca. 1740–45 · Tin-glazed soft-paste porcelain decorated in polychrome enamels

Cleared · Public Domain

live
The MetSimilar
Dwarf (one of a pair) by Villeroy, The Metropolitan Museum of Art

Dwarf (one of a pair)

Villeroy (d. 1748)

ca. 1740–45 · Tin-glazed soft-paste porcelain decorated in polychrome enamels

Cleared · Public Domain

live
The MetSimilar
Playing in Parts by James Gillray, The Metropolitan Museum of Art

Playing in Parts

James Gillray (d. 1815)

May 15, 1801 · Hand-colored etching and aquatint

Cleared · Public Domain

live
The MetSimilar
The Huntsman Rising; The Gamester Going to Bed by Thomas Rowlandson, The Metropolitan Museum of Art

The Huntsman Rising; The Gamester Going to Bed

Thomas Rowlandson (d. 1827)

[July 31, 1809], reissued 1811 · Hand-colored etching; reissue

Cleared · Public Domain

live
The MetSimilar
Louis Gueymard (1822–1880) as Robert le Diable by Gustave Courbet, The Metropolitan Museum of Art

Louis Gueymard (1822–1880) as Robert le Diable

Gustave Courbet (d. 1877)

1857 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rome's Depravity (from Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal, 1660)

Wenceslaus Hollar (d. 1677)

1658 · Etching; second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Designs for the Lids or Insides of Tobacco Boxes (5)

Elias Baeck (d. 1747)

ca. 1710–30 · etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Turn of the Tune, Traveller Playing the "Arkansas Traveller"

John Cameron (d. 1896)

1870 · Hand-colored lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.