
Terracotta oinochoe: chous (jug)
Niobid Painter
ca. 450 BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
288 ms. The Metropolitan Museum of Art, Collection API (Open Access)
306 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 233 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Terracotta oinochoe: chous (jug)
Niobid Painter
ca. 450 BCE · Terracotta
Cleared · Public Domain
live
Disegni Varij di Polifilo Zancarli (Friezes)
Polifilo Giancarli (d. 1625)
ca. 1625 · etching
Cleared · Public Domain
live
Guardroom with the Deliverance of Saint Peter
David Teniers the Younger (d. 1690)
ca. 1645–47 · Oil on wood
Cleared · Public Domain
live
Two Dwarfs Playing Dice, a Dog at Left (recto); Study of a Leg (verso)
Faustino Bocchi (d. 1741)
1659–1742 · Pen and brown ink, over red chalk (recto), red chalk (verso)
Cleared · Public Domain
live
Dwarf (one of a pair)
Villeroy (d. 1748)
ca. 1740–45 · Tin-glazed soft-paste porcelain decorated in polychrome enamels
Cleared · Public Domain
live
Dwarf (one of a pair)
Villeroy (d. 1748)
ca. 1740–45 · Tin-glazed soft-paste porcelain decorated in polychrome enamels
Cleared · Public Domain
live
Playing in Parts
James Gillray (d. 1815)
May 15, 1801 · Hand-colored etching and aquatint
Cleared · Public Domain
live
The Huntsman Rising; The Gamester Going to Bed
Thomas Rowlandson (d. 1827)
[July 31, 1809], reissued 1811 · Hand-colored etching; reissue
Cleared · Public Domain
live
Louis Gueymard (1822–1880) as Robert le Diable
Gustave Courbet (d. 1877)
1857 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Rome's Depravity (from Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal, 1660)
Wenceslaus Hollar (d. 1677)
1658 · Etching; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for the Lids or Insides of Tobacco Boxes (5)
Elias Baeck (d. 1747)
ca. 1710–30 · etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Turn of the Tune, Traveller Playing the "Arkansas Traveller"
John Cameron (d. 1896)
1870 · Hand-colored lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.