Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    389 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    297 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,837 matching records exist across the two collections.

Results for "Two Frieze Designs with Acanthus Scrolls"12 records

Institutions answered newest-first by record, interleaved

Fragment of a Frieze with Acanthus Scrolls, Palmettes, and Flowers by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Frieze with Acanthus Scrolls, Palmettes, and Flowers

Unrecorded maker

4th–5th century · Limestone; carved in relief

Cleared · Public Domain

live
The MetSimilar
Fragment from a Frieze with Acanthus-Leaf Wheels by an unrecorded maker, The Metropolitan Museum of Art

Fragment from a Frieze with Acanthus-Leaf Wheels

Unrecorded maker

6th century · Limestone; carved in relief

Cleared · Public Domain

live
The MetSimilar
Frieze Design with Acanthus Scrolls, Hybrid Creatures and a Winged Putto by Andrés de Melgar, The Metropolitan Museum of Art

Frieze Design with Acanthus Scrolls, Hybrid Creatures and a Winged Putto

Andrés de Melgar (d. 1554)

ca. 1545–60 · Pen and brown ink with brown wash

Cleared · Public Domain

live
The MetSimilar
Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux by Anonymous, Italian, Venetian, 17th century, The Metropolitan Museum of Art

Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux

Anonymous, Italian, Venetian, 17th century (d. 1700)

17th century (first half) · Pen and brown ink over leadpoint

Cleared · Public Domain

live
The MetSimilar
Two Frieze Designs with Acanthus Scrolls combined with a Lion and Eagle on top and Two Rams below, plate 5 from "Decorative friezes and foliage" (Ornamenti di fregi e fogliami) by Stefano della Bella, The Metropolitan Museum of Art

Two Frieze Designs with Acanthus Scrolls combined with a Lion and Eagle on top and Two Rams below, plate 5 from "Decorative friezes and foliage" (Ornamenti di fregi e fogliami)

Stefano della Bella (d. 1664)

ca. 1645–50 · Etching

Cleared · Public Domain

live
The MetSimilar
Frieze with Acanthus Scrolls and a Man (Hercules?) fighting a Lion by Jean Le Pautre, The Metropolitan Museum of Art

Frieze with Acanthus Scrolls and a Man (Hercules?) fighting a Lion

Jean Le Pautre (d. 1682)

17th century · Pen and brown ink, on vellum, over black chalk

Cleared · Public Domain

live
The MetSimilar
Design for a Frieze with a Censer, Sphinxes and Acanthus Scrolls by Gilles Paul Cauvet, The Metropolitan Museum of Art

Design for a Frieze with a Censer, Sphinxes and Acanthus Scrolls

Gilles Paul Cauvet (d. 1788)

ca. 1760–80 · Pen and brown and gray ink, watercolor, heightened with white

Cleared · Public Domain

live
The MetSimilar
Design for a Frieze with Acanthus Scrolls and a Vase in the Center by Gilles Paul Cauvet, The Metropolitan Museum of Art

Design for a Frieze with Acanthus Scrolls and a Vase in the Center

Gilles Paul Cauvet (d. 1788)

ca. 1777 · Etching

Cleared · Public Domain

live
The MetSimilar
Design for a Frieze with Acanthus Scrolls and a Vase with Two Putti in the Center by Le Roy, The Metropolitan Museum of Art

Design for a Frieze with Acanthus Scrolls and a Vase with Two Putti in the Center

Le Roy

ca. 1777 · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Frieze with acanthus scrolls and a dog

Giovanni Antonio da Brescia (d. 1525)

ca. 1490–1525 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Frieze with grotesque creatures and acanthus scrolls

Giovanni Antonio da Brescia (d. 1525)

ca. 1490–1525 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Horizontal Frieze with Pattern of Alternating S-Scrolls and Decorative Plants

Anonymous, French, 20th century (d. 2000)

ca. 1910–29 · Charcoal, gouache and gold paint

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.