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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    264 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    314 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 20 matching records exist across the two collections.

Results for "Two Genii Riding Rams"12 records

Institutions answered newest-first by record, interleaved

Terracotta krater by Workshop of New York MMA 34.11.2, The Metropolitan Museum of Art

Terracotta krater

Workshop of New York MMA 34.11.2

ca. 775 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Bronze cista (toiletries box) by an unrecorded maker, The Metropolitan Museum of Art

Bronze cista (toiletries box)

Unrecorded maker

ca. 350–325 BCE · Bronze

Cleared · Public Domain

live
The MetSimilar
Funerary offering of Theatrical Masks and Ram with Vessel by an unrecorded maker, The Metropolitan Museum of Art

Funerary offering of Theatrical Masks and Ram with Vessel

Unrecorded maker

2nd century CE · faience

Cleared · Public Domain

live
The MetSimilar
Rothschild lamp by Andrea Briosco, called Riccio, The Metropolitan Museum of Art

Rothschild lamp

Andrea Briosco, called Riccio (d. 1532)

ca. 1510–20 · Bronze, on a later wood base

Cleared · Public Domain

live
The MetSimilar
Horizontal Panel with Two Genii Riding on Two Chimeras by Sebald Beham, The Metropolitan Museum of Art

Horizontal Panel with Two Genii Riding on Two Chimeras

Sebald Beham (d. 1550)

1544 · Engraving; fourth state of four (Pauli)

Cleared · Public Domain

live
The MetSimilar
Grotesque with a Victory Figure Under an Overgrown Pergola by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Grotesque with a Victory Figure Under an Overgrown Pergola

Anonymous, Italian, 16th century (d. 1600)

1540 after · Pen and black ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
Two Genii Riding Rams by Nicolaes de Bruyn, The Metropolitan Museum of Art

Two Genii Riding Rams

Nicolaes de Bruyn (d. 1656)

1594 · Engraving

Cleared · Public Domain

live
The MetSimilar
A cartouche flanked by two winged infant satyrs riding on the heads of two rams, plate 12 from "Nouvelles inventions de Cartouches" by Stefano della Bella, The Metropolitan Museum of Art

A cartouche flanked by two winged infant satyrs riding on the heads of two rams, plate 12 from "Nouvelles inventions de Cartouches"

Stefano della Bella (d. 1664)

ca. 1647 · Etching

Cleared · Public Domain

live
The MetSimilar
A cartouche flanked by two winged infant satyrs riding on the heads of two rams, plate 12 from "Nouvelles inventions de Cartouches" by Stefano della Bella, The Metropolitan Museum of Art

A cartouche flanked by two winged infant satyrs riding on the heads of two rams, plate 12 from "Nouvelles inventions de Cartouches"

Stefano della Bella (d. 1664)

ca. 1647 · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Horizontal Panel with Two Genii Riding on Two Chimeras

Sebald Beham (d. 1550)

1544 · Engraving; fourth state or four (Pauli)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for an oval hand mirror: Medea rejuvenating Pelias

Etienne Delaune (d. 1583)

1561 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Autel d'Apollon, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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