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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    405 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    290 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,662 matching records exist across the two collections.

Results for "Two Male Nudes, One Seated and One Semi-"12 records

Institutions answered newest-first by record, interleaved

Seated male figure by Nayarit artist(s), The Metropolitan Museum of Art

Seated male figure

Nayarit artist(s)

100–400 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Nude Male Figure Seated on the Ground by Amico Aspertini, The Metropolitan Museum of Art

Nude Male Figure Seated on the Ground

Amico Aspertini (d. 1552)

ca. 1535–40 · Black chalk, brush and brown wash, highlighted with white gouache, on brown-washed paper

Cleared · Public Domain

live
The MetSimilar
Two Nude Male Figures, One Seated and One Reclining by Micco Spadaro (Domenico Gargiulo), The Metropolitan Museum of Art

Two Nude Male Figures, One Seated and One Reclining

Micco Spadaro (Domenico Gargiulo) (d. 1675)

1609/10–?1675 · Pen and brown ink

Cleared · Public Domain

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The MetSimilar
Seated Male Nude by Louis de Boullogne the Younger, The Metropolitan Museum of Art

Seated Male Nude

Louis de Boullogne the Younger (d. 1733)

1704 · Black chalk, heightened with white

Cleared · Public Domain

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The MetSimilar
Two Male Nudes, One Seated and One Semi-reclining by Jakob Matthias Schmutzer, The Metropolitan Museum of Art

Two Male Nudes, One Seated and One Semi-reclining

Jakob Matthias Schmutzer (d. 1811)

1771 · Black chalk heightened with white

Cleared · Public Domain

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The MetSimilar
Two Male Figures, one holding a basket by Anonymous, French, 18th century, The Metropolitan Museum of Art

Two Male Figures, one holding a basket

Anonymous, French, 18th century (d. 1800)

18th century · Graphite, pen and black ink, brush and gray wash; framing lines in brush and gray wash and pen and brown ink

Cleared · Public Domain

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The MetSimilar
Two Female Nudes; Seated Male Nude (after Michelangelo?); Three Equestrian Figures (from Sketchbook) by Thomas Sully, The Metropolitan Museum of Art

Two Female Nudes; Seated Male Nude (after Michelangelo?); Three Equestrian Figures (from Sketchbook)

Thomas Sully (d. 1872)

1810–20 · Pen, iron-gaul ink and graphite on off-white laid paper

Cleared · Public Domain

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The MetSimilar
Four drawings: Two Reclining Male Nudes and Two Studies of Ottoman Figures by Théodore Géricault, The Metropolitan Museum of Art

Four drawings: Two Reclining Male Nudes and Two Studies of Ottoman Figures

Théodore Géricault (d. 1824)

1816–23 · Pen and ink and watercolor

Cleared · Public Domain

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The MetSimilar
[Studio Portrait: Two Male Street Vendors in Profile, one Seated one Standing, Shaking Hands, Brazil] by Christiano Junior, The Metropolitan Museum of Art

[Studio Portrait: Two Male Street Vendors in Profile, one Seated one Standing, Shaking Hands, Brazil]

Christiano Junior (d. 1902)

1864–66 · Albumen silver print

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Seated Male Nude (Study for the Martyrdom of St. Lawrence)

Bronzino (Agnolo di Cosimo di Mariano) (d. 1572)

1565–69 · Black chalk, glued onto secondary support

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two Female Figures; One Male Figure Seated (from Sketchbook)

Thomas Moran (d. 1926)

1905 · Graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Ritter Brothers

George Platt Lynes (d. 1955)

ca. 1933 · Gelatin silver print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.