
Lucretia
Raphael (Raffaello Sanzio or Santi) (d. 1520)
1508–10 · Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1017 ms. The Metropolitan Museum of Art, Collection API (Open Access)
377 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 10 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Lucretia
Raphael (Raffaello Sanzio or Santi) (d. 1520)
1508–10 · Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)
Cleared · Public Domain
live
Ewer in the form of an ostrich and basin
Marx Weinold (d. 1700)
ca. 1689–92 · Silver, partially gilded
Cleared · Public Domain
live
Venus at the Forge of Vulcan (recto); Sketches with Two Putti (verso)
Sebastiano Conca (d. 1764)
ca. 1716–18 · Pen with black-brown and lighter brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on paper washed light brown (recto); pen and medium-brown ink, on unprepared buff paper (verso)
Cleared · Public Domain
live
Staggering-Bobs, a Tale for Scotchmen, or Munchausen Driving his Calves to Market
James Gillray (d. 1815)
December 1, 1796 · Hand-colored etching
Cleared · Public Domain
live
Florizel and Perdita in 'The Winter's Tale,' from "The Art Journal," opposite p. 4
Lumb Stocks (d. 1892)
January 1867 · Etching and engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Rt. Hon-ble. Charles Earl Cornwallis, KB, from the "European Magazine"
Anonymous, British, late 18th century (d. 1800)
1786 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Noble Friends: The Earl of Errol and The Right Honorable Lord Haddo
John Kay (d. 1826)
1787 · Etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette Title for "The King's Quair"
William Bell Scott (d. 1890)
1885 · Etching; first state, annotated working proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Jabez Hogg (d. 1899)
1886–91 · Illustrations: wood engravings and color lithographs
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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