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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1017 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    377 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Two Noble Friends: The Earl of Errol and"9 records

Institutions answered newest-first by record, interleaved

Lucretia by Raphael (Raffaello Sanzio or Santi), The Metropolitan Museum of Art

Lucretia

Raphael (Raffaello Sanzio or Santi) (d. 1520)

1508–10 · Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)

Cleared · Public Domain

live
The MetSimilar
Ewer in the form of an ostrich and basin by Marx Weinold, The Metropolitan Museum of Art

Ewer in the form of an ostrich and basin

Marx Weinold (d. 1700)

ca. 1689–92 · Silver, partially gilded

Cleared · Public Domain

live
The MetSimilar
Venus at the Forge of Vulcan (recto); Sketches with Two Putti (verso) by Sebastiano Conca, The Metropolitan Museum of Art

Venus at the Forge of Vulcan (recto); Sketches with Two Putti (verso)

Sebastiano Conca (d. 1764)

ca. 1716–18 · Pen with black-brown and lighter brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on paper washed light brown (recto); pen and medium-brown ink, on unprepared buff paper (verso)

Cleared · Public Domain

live
The MetSimilar
Staggering-Bobs, a Tale for Scotchmen, or Munchausen Driving his Calves to Market by James Gillray, The Metropolitan Museum of Art

Staggering-Bobs, a Tale for Scotchmen, or Munchausen Driving his Calves to Market

James Gillray (d. 1815)

December 1, 1796 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Florizel and Perdita in 'The Winter's Tale,' from "The Art Journal," opposite p. 4 by Lumb Stocks, The Metropolitan Museum of Art

Florizel and Perdita in 'The Winter's Tale,' from "The Art Journal," opposite p. 4

Lumb Stocks (d. 1892)

January 1867 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rt. Hon-ble. Charles Earl Cornwallis, KB, from the "European Magazine"

Anonymous, British, late 18th century (d. 1800)

1786 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two Noble Friends: The Earl of Errol and The Right Honorable Lord Haddo

John Kay (d. 1826)

1787 · Etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vignette Title for "The King's Quair"

William Bell Scott (d. 1890)

1885 · Etching; first state, annotated working proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

Jabez Hogg (d. 1899)

1886–91 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

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