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Seated Goddess Diana (recto); Studies of a Nude Male Torso Seen from the Rear, and a leg (verso)

Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)

ca. 1522 · Red chalk

Two Nudes Seen from Below (recto); Male Figure with Upraised Arm (verso)

Pomarancio (Cristoforo Roncalli) (d. 1626)

1580–82 · Red chalk (recto and verso); squared in red chalk

Studies for a Nude Woman Seen from the Front (recto); Four Standing Male Nudes, Venus, and Cupid (verso)

Anonymous, Italian, Florentine, 16th century (d. 1600)

16th century · Pen and brown ink

Two Studies of a Seated Male Nude Seen from the Back

Cherubino Alberti (Zaccaria Mattia) (d. 1615)

1596–1602 · Red chalk, with some contours reinforced in pen and brown ink. Upper right corner replaced

Two Women Annointing the Wounds of Saint Sebastian (recto); Study of a Nude Male Figure (verso)

Giovanni Biliverti (d. 1644)

1585–1644 · Pen and brown ink, brush and brown wash, over black chalk (recto); red chalk (verso); squared in red chalk

A Saint Healing the Sick (recto); Upper Body of Nude Male with Outstretched Arms, seen from the rear (verso)

Ercole Procaccini The Younger (d. 1680)

17th century · Red chalk on cream paper (recto); black chalk (verso)

Male Figure with Arms Raised to the Left Seen From the Rear (recto); Male Figures with Arms Raised to the Left (front view of figure on recto) (verso)

Anonymous, Italian, Bolognese, 17th century (d. 1700)

17th century · Red chalk on light brown paper; framing lines in pen and brown ink

Three Studies of Seated Nude Male with Raised Arm, Seen from Below

Anonymous, Italian, Bolognese, 17th century (d. 1700)

17th century · Red chalk, on light brown paper; partly reworked with red crayon

Studies of Three Naked Men, a Right Arm and a Nude Figure Supported by Another (recto); Studies of a Figure with Left Arm Upraised, a Leg, and Putti with Foliage (verso)

Paolo Pagani (d. 1716)

1700–1710 · Pen and brown ink, brush and brown wash, over black chalk (the three struggling figures) (recto); pen and purple ink, brush and purple wash (the two figures at lower right) (recto); pen and brown ink, brush and brown wash, over black chalk (verso)

Standing Male Nude Seen from Below

François Le Moyne (d. 1737)

ca. 1730 · Black chalk, stumping, heightened with white, on beige paper. Framing lines in pen and brown ink.

A Femme Fatale, a mask-like male face, and male figure seen from behind (recto). An angel descending stairs (verso)

Theodor Richard Edward von Holst (d. 1844)

1836–44 · Graphite

Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)

Leonardo da Vinci (d. 1519)

ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)