Two Alternate Designs for a Doorway
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
ca. 1730–60 · Pen and brown ink, brush and brown, gray, yellow, and red wash, over leadpoint or graphite
Cleared · Public Domain
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400 ms. The Metropolitan Museum of Art, Collection API (Open Access)
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549 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,528 matching records exist across the two collections.
Results for "Two One Half Variant Designs for an Alta"12 records
Institutions answered newest-first by record, interleaved
One Half of a Design for an Overdoor (?) (recto); Two Designs for Altars, one for a Capital (?) (verso)
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush and gray wash, over ruled construction in leadpoint or graphite (recto); leadpoint or graphite (verso); some framing outlines
Cleared · Public Domain
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Two One Half Variant Designs for a Catafalque
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush and brown wash, over leadpoint or graphite, with ruled construction
Cleared · Public Domain
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Two One Half Variant Designs for an Altar and a Chapel
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two gable tops, one above the other, each with a variant for the right half, and two spandrels, plate 10, from Das ander Buech Gemacht auff die zway Colonnen, Corinthia und Composita
Hans Vredeman de Vries (d. 1606)
1581 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two gable tops, one above the other, each with a variant for the right half, three half volutes and one spandrel, plate 5, from Das ander Buech Gemacht auff die zway Colonnen, Corinthia und Composita
Hans Vredeman de Vries (d. 1606)
1581 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two gable tops, one above the other, both with a variant design for the right half, and five variant designs for pinacles, plate 5, from Den Eersten Boeck Ghemaect opde Twee Columnen Dorica En Ionica
Hans Vredeman de Vries (d. 1606)
Published after 1601 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two gable tops, one above the other, both with a variant design for the right half, and six variant designs for pinacles, plate 6, from Den Eersten Boeck Ghemaect opde Twee Columnen Dorica En Ionica
Hans Vredeman de Vries (d. 1606)
Published after 1601 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Gantz Neue Infensiones Von Unterschiedlichen Kleinigkeiten
Johann Jakob Baumgartner (d. 1744)
ca. 1720–30 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for Hair Ornaments, Brooches, and a Necklace
Industrie Comptoir (d. 1830)
1804 · Engraving, hand-colored
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for Two Plates or Trays, a Spoon, a Knife, and a Saltcellar
A. Gatternicht
1873 · Chromolithograph
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for Jewelry
Paul Jeanne (d. 1900)
ca. 1869–99 · Lithograph with metallic gold ink
In copyright
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