Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    682 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    308 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 9 matching records exist across the two collections.

Results for "Two Ostriches, a Peacock, and a Parrot f"9 records

Institutions answered newest-first by record, interleaved

Tupu (pin) by an unrecorded maker, The Metropolitan Museum of Art

Tupu (pin)

Unrecorded maker

1400–1533 CE · Copper alloy

Cleared · Public Domain

live
The MetSimilar
A Congress of Animals by Giovanni Francesco Castiglione, The Metropolitan Museum of Art

A Congress of Animals

Giovanni Francesco Castiglione (d. 1710)

1641–1710 · Pen and brown ink, brush and watercolor, over traces of black chalk

Cleared · Public Domain

live
The MetSimilar
Parrot (one of a pair) by an unrecorded maker, The Metropolitan Museum of Art

Parrot (one of a pair)

Unrecorded maker

ca. 1760–70 · Faience (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
Parrot (one of a pair) by an unrecorded maker, The Metropolitan Museum of Art

Parrot (one of a pair)

Unrecorded maker

ca. 1760–70 · Faience (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
Parrot on a ring perch by an unrecorded maker, The Metropolitan Museum of Art

Parrot on a ring perch

Unrecorded maker

ca. 1750–75 · Faience (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
Fraktur by Johann Heinrich Otto, The Metropolitan Museum of Art

Fraktur

Johann Heinrich Otto (d. 1800)

ca. 1770–1800 · Watercolor, pen and iron gall ink, and graphite on off-white laid paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two Ostriches, a Peacock, a Parrot and Various Birds of Prey

Henri Le Roy (d. 1651)

After 1494 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two Ostriches, a Peacock, and a Parrot from Birds and Winged Creatures

Nicolaes de Bruyn (d. 1656)

1594 · Engraving; first state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing prints clipped from American and British periodicals

Illman and Sons (d. 1900)

1815–60 · Hand-colored etching, engraving, lithograph, mezzotint

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.