
Two Poems from One Hundred Poems by One Hundred Poets
Hon'ami Kōetsu (d. 1637)
ca. 1615–20 · Section of handscroll mounted as a hanging scrolll; ink, silver, and gold on paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
223 ms. The Metropolitan Museum of Art, Collection API (Open Access)
349 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,078 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Two Poems from One Hundred Poems by One Hundred Poets
Hon'ami Kōetsu (d. 1637)
ca. 1615–20 · Section of handscroll mounted as a hanging scrolll; ink, silver, and gold on paper
Cleared · Public Domain
live
Poem by Emperor Tenchi, from the series One Hundred Poems by One Hundred Poets Explained by the Nurse
Katsushika Hokusai (d. 1849)
1835–36 · Print, color woodblock print
Cleared · CC0
live
Poems on “Wind” from Japanese and Chinese and Poems to Sing
Horie Yorinao (Tōgen) (d. 1693)
1670 · Hanging scroll; ink and color on paper
Cleared · Public Domain
live
Harumichi no Tsuraki from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets, no. 31
Utagawa Kunisada (d. 1865)
1844–47 · Print, color woodblock print
Cleared · CC0
live
Portraits for One Hundred Poems about One Hundred Poets (Sugata-e hyakunin isshu) 姿絵百人一首
Hishikawa Moronobu (d. 1694)
1695, fourth month · Woodblock printed book; ink on paper
Cleared · Public Domain
live
Rain-coming Pavilion by the Stone Bridge at Mt. Tiantai
Dai Xi (d. 1860)
1848 · Painting, handscroll; ink on paper
Cleared · CC0
live
Twelve Poems from the New Collection of Poems Ancient and Modern
Hon'ami Kōetsu (d. 1637)
ca. 1620 · Handscroll; ink and gold on silk
Cleared · Public Domain
live
Illustrated Book of One Hundred Poets and Their Poems
Okumura Masanobu (d. 1764)
ca. 1740 · Two volumes; ink and color on paper
Cleared · Public Domain
live
Poem by Minamoto no Muneyuki Ason, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Katsushika Hokusai (d. 1849)
ca. 1835 · Woodblock print; ink and color on paper
Cleared · Public Domain
live
Poem by Gon-Chūnagon Sadaie, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Katsushika Hokusai (d. 1849)
1760–1849 · Woodblock print; ink and color on paper
Cleared · Public Domain
live
Poem by Jitō Tenno (Empress Jitō), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Katsushika Hokusai (d. 1849)
ca. 1839 · Woodblock print; ink and color on paper
Cleared · Public Domain
live
Bun’ya no Asayasu (no. 36), from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshō: Bun'ya no Asayasu)
Utagawa Kunisada (d. 1864)
ca. 1844 · Woodblock print (nishiki-e); vertical ōban; ink and color on paper
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.