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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    491 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    558 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 239 matching records exist across the two collections.

Results for "Two Princesses"12 records

Institutions answered newest-first by record, interleaved

Two Princesses by an unrecorded maker, The Metropolitan Museum of Art

Two Princesses

Unrecorded maker

ca. 1347–1330 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
A princess reclining on a terrace with attendants by an unrecorded maker, The Cleveland Museum of Art

A princess reclining on a terrace with attendants

Unrecorded maker

c. 1730–1740 · Painting, Gum tempera and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Two Princesses by Nina de Garis Davies, The Metropolitan Museum of Art

Two Princesses

Nina de Garis Davies (d. 1965)

ca. 1347–1330 BCE · Tempera on Paper

Cleared · Public Domain

live
The MetSimilar
Black-Figure Trefoil Oinochoe (Wine Jug): Europa on Bull by Class of Vatican 440, The Cleveland Museum of Art

Black-Figure Trefoil Oinochoe (Wine Jug): Europa on Bull

Class of Vatican 440

c. 530 BCE · Ceramic, ceramic

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Two Scenes from "Der Busant" (The Buzzard) by an unrecorded maker, The Metropolitan Museum of Art

Two Scenes from "Der Busant" (The Buzzard)

Unrecorded maker

1480–90 · Linen wrap; wool, silk, and metallic wefts

Cleared · Public Domain

live
The MetSimilar
A blindfolded suitor is brought before a princess (recto) by Fayzullah, The Cleveland Museum of Art

A blindfolded suitor is brought before a princess (recto)

Fayzullah (d. 1765)

1755 · Painting, Gum tempera and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Box Lid with Competition Scene by an unrecorded maker, The Metropolitan Museum of Art

Box Lid with Competition Scene

Unrecorded maker

16th–17th century · Polychrome lacquer painted with oil colors

Cleared · Public Domain

live
The MetSimilar
The Raja’s son vows to sever his head and offer it to the image if he is united with the princess he has seen in the temple, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night by an unrecorded maker, The Cleveland Museum of Art

The Raja’s son vows to sever his head and offer it to the image if he is united with the princess he has seen in the temple, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Plate 17: The exchange of the two princesses in Hendaye; allegorical scene with Anne of Austria and Elizabeth of Bourbon standing on a bridge holding hands, from "Recueil de la Galerie du Luxembourg" by Benoit Audran the Elder, The Metropolitan Museum of Art

Plate 17: The exchange of the two princesses in Hendaye; allegorical scene with Anne of Austria and Elizabeth of Bourbon standing on a bridge holding hands, from "Recueil de la Galerie du Luxembourg"

Benoit Audran the Elder (d. 1721)

1707–10 · Engraving

Cleared · Public Domain

live
The MetSimilar
The Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night by an unrecorded maker, The Cleveland Museum of Art

The Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
"Fairies Descend to the Chamber of Prince Manohar", Folio from a Gulshan-i 'Ishq (Rose Garden of Love) by an unrecorded maker, The Metropolitan Museum of Art

"Fairies Descend to the Chamber of Prince Manohar", Folio from a Gulshan-i 'Ishq (Rose Garden of Love)

Unrecorded maker

ca. 1700 · Ink, opaque watercolor, gold, and silver on paper

Cleared · Public Domain

live
The MetSimilar
A blindfolded suitor is brought before a princess; verso: scrolling floral vines by Fayzullah, The Cleveland Museum of Art

A blindfolded suitor is brought before a princess; verso: scrolling floral vines

Fayzullah (d. 1765)

1755 · Painting, Gum tempera and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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