Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
414 ms. The Metropolitan Museum of Art, Collection API (Open Access)
1171 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 747 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Four putti, two embracing in front of a large garland, two behind, the one at left holding an arrow, the one at right a bow, from a series of tapestries made for Leo X
Master of the Die (d. 1560)
ca 1530–40 · Engraving; first state
Cleared · Public Domain
live
Panel with Grotesque Candelabrum Containing Satyrs, Children and a Trophy
Heinrich Aldegrever (d. 1561)
1550 · Engraving
Cleared · Public Domain
live
Drunken Silenus holding a cup aloft into which a Satyr pours wine
Jusepe de Ribera (called Lo Spagnoletto) (d. 1652)
1628 · Etching with drypoint, engraving, and burnishing
Cleared · Public Domain
live
Two Putti, One Holding Aloft a Bunch of Grapes
Clodion (Claude Michel) (d. 1814)
1814 · Black and white chalk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Putto sculpting a coat-of-arms, accompanied by two other putti, one airborne holding flaming hearts
Anonymous, Italian, 17th century (d. 1700)
17th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Circumcision of Christ, at lower right two putti, one holding a bird above a cage, the other a ewer on a platter
Bartolomeo Biscaino (d. 1657)
1650–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Circumcision of Christ, at lower right two putti, one holding a bird above a cage, the other a ewer on a platter
Bartolomeo Biscaino (d. 1657)
1650–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Arch and Panels to Use with Carriages and Other Ornaments (Ceintre et Paneaux pour servir a des Carosse et autres ornemens), Plate 2
Georges Charmeton (d. 1674)
ca. 1670–76 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two putti with one holding a staff and Minerva in a lunette below, from 'Di Tutti gli Affresco del Correggio in Parma'
Carlo Raimondi (d. 1883)
ca. 1846 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two putti, one of whom holds a mask, with a figure holding a scorpion and a cornucopia in the lunette below, from 'Di Tutti gli Affresco del Correggio in Parma'
Paolo Toschi (d. 1854)
ca. 1846 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two putti, one of whom holds a mask, with a figure holding a scorpion in the lunette below, from "Di Tutti gli Affresco del Correggio e di Quattro del Parmigianino"
Paolo Toschi (d. 1854)
ca. 1846 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a frame with scrolling motifs, putti and garlands of flowers and leaves
Vivant Beaucé (d. 1876)
[after 1844] · Lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.