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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    633 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    300 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 184 matching records exist across the two collections.

Results for "Two Putti Seated in Clouds in Circles wi"12 records

Institutions answered newest-first by record, interleaved

Vulcan Building a Fence Around the Mount of Venus by Giovanni Bellini, The Metropolitan Museum of Art

Vulcan Building a Fence Around the Mount of Venus

Giovanni Bellini (d. 1516)

late 15th century · Pen and brown ink, over traces of black chalk.

Cleared · Public Domain

live
The MetSimilar
Two Putti Seated in Clouds in Circles with Tendrils by Lucas van Leyden, The Metropolitan Museum of Art

Two Putti Seated in Clouds in Circles with Tendrils

Lucas van Leyden (d. 1533)

1517 · Engraving

Cleared · Public Domain

live
The MetSimilar
Scene with Misericordia and Veritas in a Circle at Center by Theodor de Bry, The Metropolitan Museum of Art

Scene with Misericordia and Veritas in a Circle at Center

Theodor de Bry (d. 1598)

1580–1600 · Engraving

Cleared · Public Domain

live
The MetSimilar
'Aer' in a Decorative Border with Birds, from a Series of Circular Designs with the Four Elements by Crispijn de Passe the Elder, The Metropolitan Museum of Art

'Aer' in a Decorative Border with Birds, from a Series of Circular Designs with the Four Elements

Crispijn de Passe the Elder (d. 1637)

1590–1612 · Engraving

Cleared · Public Domain

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The MetSimilar
The Immaculate Conception by Guido Reni, The Metropolitan Museum of Art

The Immaculate Conception

Guido Reni (d. 1642)

1627 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Seated Apostles and Putti by Giovanni Lanfranco, The Metropolitan Museum of Art

Seated Apostles and Putti

Giovanni Lanfranco (d. 1647)

1637–38 · Red chalk

Cleared · Public Domain

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The MetSimilar
Rest on the Flight into Egypt by Anthony van Dyck, The Metropolitan Museum of Art

Rest on the Flight into Egypt

Anthony van Dyck (d. 1641)

1650–59 · Engraving, second state

Cleared · Public Domain

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The MetSimilar
Three Cherubs and Two Boys on Clouds by Wenceslaus Hollar, The Metropolitan Museum of Art

Three Cherubs and Two Boys on Clouds

Wenceslaus Hollar (d. 1677)

ca. 1655 · Etching; first state of two

Cleared · Public Domain

live
The MetSimilar
Faith, Hope, and Charity by Dominique Barrière, The Metropolitan Museum of Art

Faith, Hope, and Charity

Dominique Barrière (d. 1678)

1630?–78 · Etching and engraving

Cleared · Public Domain

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The MetSimilar
Allegory of Louis XVI on the Occasion of his Accession to the Throne of France in 1774 by Augustin de Saint-Aubin, The Metropolitan Museum of Art

Allegory of Louis XVI on the Occasion of his Accession to the Throne of France in 1774

Augustin de Saint-Aubin (d. 1807)

1775 · Etching; first state of three (Bocher)

Cleared · Public Domain

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The MetSimilar
Reverse Copy of Allegory of Louis XVI on the Occasion of his Accession to the Throne of France in 1774 by Augustin de Saint-Aubin, The Metropolitan Museum of Art

Reverse Copy of Allegory of Louis XVI on the Occasion of his Accession to the Throne of France in 1774

Augustin de Saint-Aubin (d. 1807)

after 1775 · Etching

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 3: a putto at left in the clouds with a trident, the three Graces seated with Cupid at center, two putti at right, one holding a pitchfork and the other with Cerberus, after lunettes by Raphael from the Loggia di Psyche in the Villa Farnesina

Sir Nicolas Dorigny (d. 1746)

1693 · Etching in brown ink

In copyright

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The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.