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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    306 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    320 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,260 matching records exist across the two collections.

Results for "Two Putti in a Chariot"12 records

Institutions answered newest-first by record, interleaved

Tablet with Chariot Scene by an unrecorded maker, The Metropolitan Museum of Art

Tablet with Chariot Scene

Unrecorded maker

ca. 1396–1386 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Limestone votive chariot with four horses and two figures by an unrecorded maker, The Metropolitan Museum of Art

Limestone votive chariot with four horses and two figures

Unrecorded maker

ca. 7th–6th century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Chariot group by an unrecorded maker, The Metropolitan Museum of Art

Chariot group

Unrecorded maker

ca. 600–480 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Limestone model of chariot drawn by two horses by an unrecorded maker, The Metropolitan Museum of Art

Limestone model of chariot drawn by two horses

Unrecorded maker

1st half of. 5th century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Sardonyx cameo of Aurora in a chariot by an unrecorded maker, The Metropolitan Museum of Art

Sardonyx cameo of Aurora in a chariot

Unrecorded maker

1st century BCE–1st century CE · Sardonyx, gold

Cleared · Public Domain

live
The MetSimilar
Chariot Mount with Three Figures by an unrecorded maker, The Metropolitan Museum of Art

Chariot Mount with Three Figures

Unrecorded maker

300–500 · Copper Alloy

Cleared · Public Domain

live
The MetSimilar
Venus in a Chariot drawn by Two Swans by Master IQV, The Metropolitan Museum of Art

Venus in a Chariot drawn by Two Swans

Master IQV (d. 1600)

ca. 1544 · Etching

Cleared · Public Domain

live
The MetSimilar
Venus in her Chariot from a set of Mythological Subjects after Raphael by Raphael (Raffaello Sanzio or Santi), The Metropolitan Museum of Art

Venus in her Chariot from a set of Mythological Subjects after Raphael

Raphael (Raffaello Sanzio or Santi) (d. 1520)

designed 1686, woven 1689–92 · Wool, silk, silver thread (23-26 warps per inch, 10-11 per cm.)

Cleared · Public Domain

live
The MetSimilar
Design for a Fountain with Neptune in his Chariot by Francesco Fontebasso, The Metropolitan Museum of Art

Design for a Fountain with Neptune in his Chariot

Francesco Fontebasso (d. 1769)

ca. 1740–60 · Black and red chalk, pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two Putti in a Chariot

Adamo (Ghisi) Scultori (d. 1587)

1585 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Aurora in a chariot surrounded by putti

Giovanni Battista Pasqualini (d. 1631)

1621 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two Children (or Putti)

Francesco Bartolozzi (d. 1815)

1792–98 · Etching, printed in brown ink; second state of two (De Vesme & Calabi)

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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