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Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    721 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    341 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 2,160 matching records exist across the two collections.

Results for "Two Saints in Adoration"12 records

Institutions answered newest-first by record, interleaved

The Adoration of the Magi by Italian, Neapolitan Follower of Giotto, The Metropolitan Museum of Art

The Adoration of the Magi

Italian, Neapolitan Follower of Giotto

ca. 1340–43 · Tempera on wood, gold ground

Cleared · Public Domain

live
The MetSimilar
The Adoration of the Magi by Giovanni Battista Tiepolo, The Cleveland Museum of Art

The Adoration of the Magi

Giovanni Battista Tiepolo (d. 1770)

c. 1740 · Drawing, pen and brown ink and brush and brown wash, over black chalk

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Adoration of the Shepherds by Bartolo di Fredi, The Metropolitan Museum of Art

The Adoration of the Shepherds

Bartolo di Fredi (d. 1410)

1374 · Tempera on poplar, gold ground

Cleared · Public Domain

live
The MetSimilar
Portable Triptych Icon: Adoration of the Miracle-Working Icon of the Vladimir Mother of God by an unrecorded maker, The Cleveland Museum of Art

Portable Triptych Icon: Adoration of the Miracle-Working Icon of the Vladimir Mother of God

Unrecorded maker

1600s · Painting, painted wood panel within enameled brass frame

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Adoration of the Magi by Joos van Wassenhove, The Metropolitan Museum of Art

The Adoration of the Magi

Joos van Wassenhove (d. 1480)

1472–74 · Distemper on canvas

Cleared · Public Domain

live
The MetSimilar
Portable Triptych Icon by an unrecorded maker, The Cleveland Museum of Art

Portable Triptych Icon

Unrecorded maker

1600s · Painting, painted wood panel within enameled brass frame

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Adoration of the Magi by Fra Bartolomeo (Bartolomeo di Paolo del Fattorino), The Metropolitan Museum of Art

The Adoration of the Magi

Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (d. 1517)

ca. 1500 · Pen and brown ink, over traces of black chalk

Cleared · Public Domain

live
The MetSimilar
Portable Triptych Icon: The Crucifixion by an unrecorded maker, The Cleveland Museum of Art

Portable Triptych Icon: The Crucifixion

Unrecorded maker

1600s · Painting, painted wood panel within enameled brass frame

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Adoration of the Magi by Correggio (Antonio Allegri), The Metropolitan Museum of Art

The Adoration of the Magi

Correggio (Antonio Allegri) (d. 1534)

ca. 1517 · Red chalk, highlighted with white gouache

Cleared · Public Domain

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The MetSimilar
Portable Triptych Icon: The Resurrection and Anastasis by an unrecorded maker, The Cleveland Museum of Art

Portable Triptych Icon: The Resurrection and Anastasis

Unrecorded maker

1600s · Painting, painted wood panel within enameled brass frame

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Madonna in Glory with Two Saints by Anonymous, Italian, late 16th century, The Metropolitan Museum of Art

Madonna in Glory with Two Saints

Anonymous, Italian, late 16th century (d. 1600)

late 16th century · Pen and brown ink, brush and brown wash; highlighted with white (mostly oxidized)

Cleared · Public Domain

live
The MetSimilar
Two Saints in Adoration by Ventura Salimbeni, The Metropolitan Museum of Art

Two Saints in Adoration

Ventura Salimbeni (d. 1613)

n.d. · Pen and brown ink, brush and brown wash over traces of leadpoint

Cleared · Public Domain

live
The MetSimilar

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