
The Adoration of the Magi
Italian, Neapolitan Follower of Giotto
ca. 1340–43 · Tempera on wood, gold ground
Cleared · Public Domain
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Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
721 ms. The Metropolitan Museum of Art, Collection API (Open Access)
341 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,160 matching records exist across the two collections.
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The Adoration of the Magi
Italian, Neapolitan Follower of Giotto
ca. 1340–43 · Tempera on wood, gold ground
Cleared · Public Domain
live
The Adoration of the Magi
Giovanni Battista Tiepolo (d. 1770)
c. 1740 · Drawing, pen and brown ink and brush and brown wash, over black chalk
Cleared · CC0
live
The Adoration of the Shepherds
Bartolo di Fredi (d. 1410)
1374 · Tempera on poplar, gold ground
Cleared · Public Domain
live
Portable Triptych Icon: Adoration of the Miracle-Working Icon of the Vladimir Mother of God
Unrecorded maker
1600s · Painting, painted wood panel within enameled brass frame
Cleared · CC0
live
The Adoration of the Magi
Joos van Wassenhove (d. 1480)
1472–74 · Distemper on canvas
Cleared · Public Domain
live
Portable Triptych Icon
Unrecorded maker
1600s · Painting, painted wood panel within enameled brass frame
Cleared · CC0
live
The Adoration of the Magi
Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (d. 1517)
ca. 1500 · Pen and brown ink, over traces of black chalk
Cleared · Public Domain
live
Portable Triptych Icon: The Crucifixion
Unrecorded maker
1600s · Painting, painted wood panel within enameled brass frame
Cleared · CC0
live
The Adoration of the Magi
Correggio (Antonio Allegri) (d. 1534)
ca. 1517 · Red chalk, highlighted with white gouache
Cleared · Public Domain
live
Portable Triptych Icon: The Resurrection and Anastasis
Unrecorded maker
1600s · Painting, painted wood panel within enameled brass frame
Cleared · CC0
live
Madonna in Glory with Two Saints
Anonymous, Italian, late 16th century (d. 1600)
late 16th century · Pen and brown ink, brush and brown wash; highlighted with white (mostly oxidized)
Cleared · Public Domain
live
Two Saints in Adoration
Ventura Salimbeni (d. 1613)
n.d. · Pen and brown ink, brush and brown wash over traces of leadpoint
Cleared · Public Domain
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