
Plaque with the Pentecost
Unrecorded maker
ca. 1150–75 · Champlevé enamel and gilded copper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1673 ms. The Metropolitan Museum of Art, Collection API (Open Access)
261 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 25 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plaque with the Pentecost
Unrecorded maker
ca. 1150–75 · Champlevé enamel and gilded copper
Cleared · Public Domain
live
The Virgin from a Pentecost Scene and the Figure of Saint Martin
Unrecorded maker
ca. 1245–48 · Pot-metal glass and vitreous paint
Cleared · Public Domain
live
Two Seated Apostles from a Pentecost Scene
Unrecorded maker
ca. 1245–48 · Pot-metal glass and vitreous paint
Cleared · Public Domain
live
Altarpiece (retablo) with Scenes from the Passion
Master Morata (d. 1505)
second half 15th century · Tempera and gold on wood
Cleared · Public Domain
live
Seated Goddess Diana (recto); Studies of a Nude Male Torso Seen from the Rear, and a leg (verso)
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
ca. 1522 · Red chalk
Cleared · Public Domain
live
Saint Stephen
Hans Leinberger (d. 1530)
ca. 1525–30 · Limewood with traces of paint
Cleared · Public Domain
live
Christ Before Annas, from the Passion
Lucas Cranach the Elder (d. 1553)
1553 · Woodcut
Cleared · Public Domain
live
The Pentecost
Master of the Egmont Albums (d. 16)
16th century · Pen and brown ink, brush and gray and black ink; framing line in pen and black ink
Cleared · Public Domain
live
The Apostles Creed
Unrecorded maker
ca. 1550–1600 · Wool warp, wool wefts
Cleared · Public Domain
live
Casket
Wenzel Jamnitzer (d. 1585)
late 16th–early 17th century · Gilded yellow metal, silver
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 2, from 'Images des Fêtes Mobiles' (Images of Moveable Feasts from the Christian Calendar), part of "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Jacques Callot (d. 1635)
1636 · Etching; second state of two (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Self-Portrait Looking at The Last Supper
Marisol (d. 2016)
1982–84 · Wood, plywood, stone, plaster, aluminum, dye, charcoal
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.