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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1673 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    261 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 25 matching records exist across the two collections.

Results for "Two Seated Apostles from a Pentecost Sce"12 records

Institutions answered newest-first by record, interleaved

Plaque with the Pentecost by an unrecorded maker, The Metropolitan Museum of Art

Plaque with the Pentecost

Unrecorded maker

ca. 1150–75 · Champlevé enamel and gilded copper

Cleared · Public Domain

live
The MetSimilar
The Virgin from a Pentecost Scene and the Figure of Saint Martin by an unrecorded maker, The Metropolitan Museum of Art

The Virgin from a Pentecost Scene and the Figure of Saint Martin

Unrecorded maker

ca. 1245–48 · Pot-metal glass and vitreous paint

Cleared · Public Domain

live
The MetSimilar
Two Seated Apostles from a Pentecost Scene by an unrecorded maker, The Metropolitan Museum of Art

Two Seated Apostles from a Pentecost Scene

Unrecorded maker

ca. 1245–48 · Pot-metal glass and vitreous paint

Cleared · Public Domain

live
The MetSimilar
Altarpiece (retablo) with Scenes from the Passion by Master Morata, The Metropolitan Museum of Art

Altarpiece (retablo) with Scenes from the Passion

Master Morata (d. 1505)

second half 15th century · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
Seated Goddess Diana (recto); Studies of a Nude Male Torso Seen from the Rear, and a leg (verso) by Parmigianino (Girolamo Francesco Maria Mazzola), The Metropolitan Museum of Art

Seated Goddess Diana (recto); Studies of a Nude Male Torso Seen from the Rear, and a leg (verso)

Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)

ca. 1522 · Red chalk

Cleared · Public Domain

live
The MetSimilar
Saint Stephen by Hans Leinberger, The Metropolitan Museum of Art

Saint Stephen

Hans Leinberger (d. 1530)

ca. 1525–30 · Limewood with traces of paint

Cleared · Public Domain

live
The MetSimilar
Christ Before Annas, from the Passion by Lucas Cranach the Elder, The Metropolitan Museum of Art

Christ Before Annas, from the Passion

Lucas Cranach the Elder (d. 1553)

1553 · Woodcut

Cleared · Public Domain

live
The MetSimilar
The Pentecost by Master of the Egmont Albums, The Metropolitan Museum of Art

The Pentecost

Master of the Egmont Albums (d. 16)

16th century · Pen and brown ink, brush and gray and black ink; framing line in pen and black ink

Cleared · Public Domain

live
The MetSimilar
The Apostles Creed by an unrecorded maker, The Metropolitan Museum of Art

The Apostles Creed

Unrecorded maker

ca. 1550–1600 · Wool warp, wool wefts

Cleared · Public Domain

live
The MetSimilar
Casket by Wenzel Jamnitzer, The Metropolitan Museum of Art

Casket

Wenzel Jamnitzer (d. 1585)

late 16th–early 17th century · Gilded yellow metal, silver

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 2, from 'Images des Fêtes Mobiles' (Images of Moveable Feasts from the Christian Calendar), part of "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)

Jacques Callot (d. 1635)

1636 · Etching; second state of two (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Self-Portrait Looking at The Last Supper

Marisol (d. 2016)

1982–84 · Wood, plywood, stone, plaster, aluminum, dye, charcoal

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.