
Standing man
Unrecorded maker
ca. 2nd century CE · Calcareous sandstone
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
287 ms. The Metropolitan Museum of Art, Collection API (Open Access)
333 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,686 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Standing man
Unrecorded maker
ca. 2nd century CE · Calcareous sandstone
Cleared · Public Domain
live
Stamp seal: standing noble holding a flower
Unrecorded maker
ca. 3rd–early 4th century CE · Sardonyx
Cleared · Public Domain
live
Sword Pommel
Unrecorded maker
12th–13th century · Copper alloy, enamel
Cleared · Public Domain
live
Standing Female Figure in Armor Drawing Her Sword (Minerva or Bellona)
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
ca. 1535–38 · Pen and brown ink, over traces of black chalk
Cleared · Public Domain
live
Relief with Mithras kneeling upon a bull and driving a sword into its shoulder, at left two smaller standing figures, one holding a sheathed sword and one holding a sword, a frieze with chariots and serpents coiled around figures above
Anonymous, Italian, 16th century (d. 1600)
1564 · Engraving
Cleared · Public Domain
live
Two studies of a Standing Man with a Sword (Alexander the Great); verso: Studies of a Leg, an Arm, a Hand, and a Figure's Neck
Peter Candid (Pieter de Witte, Pietro Candido) (d. 1628)
ca. 1601 · Pen and black ink, heightened with white gouache, over black and red chalk, on off-white paper prepared with pink gouache
Cleared · Public Domain
live
Study of Two Soldiers Swordfighting
Adam Frans van der Meulen (d. 1690)
17th century · Black and white chalk, heightened with cream-colored gouache, on blue paper
Cleared · Public Domain
live
Boy Holding a Sword, Standing near a Table in an Interior (recto); Various Sketches of Figures and Ornamental Forms (verso)
Anonymous, Dutch, 17th century (d. 1700)
17th century · Pen and brown ink, brush and brown wash, over black chalk (recto); pen and brown ink, black chalk (verso); framing lines in pen and brown ink, by a later hand
Cleared · Public Domain
live
Soldiers, one shown frontally and holding a sword, at right a soldier with his back turned and holding a cup, four soldiers standing behind them with standards and spears, after the lost frescoes by Polidoro da Caravaggio on the façade of the Milesi Palace in Via della Maschera d'Oro, Rome
Giovanni Francesco Venturini (d. 1700)
ca. 1650–1700 · Etching and engraving
Cleared · Public Domain
live
Two Soldiers, One Standing with Sword, Bow and Arrows, One Seated Seen from Behind
Matthias Pfenninger (d. 1813)
1764 · Etching
Cleared · Public Domain
live![[Union Private with Musket and Pistol] by Unknown, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP265335.jpg)
[Union Private with Musket and Pistol]
Unknown
1861–65 · Tintype with applied color
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mixed at the Finish
Thomas B. Worth (d. 1917)
1880 · Hand-colored lithograph with gum arabic
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.