
Nicolo intaglio: Two standing figures
Unrecorded maker
ca. 2nd–3rd century CE · Nicolo
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
257 ms. The Metropolitan Museum of Art, Collection API (Open Access)
441 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 29,650 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Nicolo intaglio: Two standing figures
Unrecorded maker
ca. 2nd–3rd century CE · Nicolo
Cleared · Public Domain
live
Two Standing Figures (Study for A Game of Billiards)
Louis Léopold Boilly (d. 1845)
c. 1807 · Drawing, black chalk with gray and brown-black chalk, with stumping, framing lines in brown-black chalk
Cleared · CC0
live
Two Figures of Angels Standing
Perugino (Pietro di Cristoforo Vannucci) (d. 1523)
1490–1505 · Pen and brown ink, over leadpoint (?)
Cleared · Public Domain
live
Woman Standing among the Friars (recto) Sketches of Heads (verso, left); Two Women (verso, right)
John Brown (d. 1787)
c. 1770–75 · Drawing, graphite and gray and black wash with point of brush
Cleared · CC0
live
Two Standing Male Figures
Perino del Vaga (Pietro Buonaccorsi) (d. 1547)
1501–47 · Pen and dark brown ink, brush and brown wash, highlighted with white gouache, over traces of black chalk, on brownish paper
Cleared · Public Domain
live
Woman Standing among the Friars (recto)
John Brown (d. 1787)
c. 1770–75 · Drawing, graphite and gray and black wash with point of brush
Cleared · CC0
live
Figure Studies: Warrior on Horseback, and Groups of Standing Female Figures
Francesco Curia (d. 1608)
1565–1608 · Pen and brown ink, brush and brown wash
Cleared · Public Domain
live
Two Standing Figures (Study for the Left Section of The Mission of the Apostles)
Hippolyte Jean Flandrin (d. 1864)
1860 · Drawing, graphite; squared in graphite
Cleared · CC0
live
Standing and Kneeling Figures, and Studies of Flying Putti
Francesco Curia (d. 1608)
1565–1608 · Pen and brown ink, with traces of black chalk
Cleared · Public Domain
live
Studies for Standing and Seated Figures
Salvator Rosa (d. 1673)
1634–45 · Pen and brown ink, brush and gray and brown wash, over leadpoint or graphite
Cleared · Public Domain
live
Four Figures Studies, One of a Standing Archer
Francesco Allegrini (d. 1679)
1624–63 · Pen and brown ink. Framing lines in pen and brown ink on mount
Cleared · Public Domain
live
Figure Studies: Two Standing and Two Seated Men
Micco Spadaro (Domenico Gargiulo) (d. 1675)
1609/10–?1675 · Pen and brown ink, brush and brown wash
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.