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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    743 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    349 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 3,878 matching records exist across the two collections.

Results for "Two Terms"9 records

Institutions answered newest-first by record, interleaved

Two Terms by Master PS, The Metropolitan Museum of Art

Two Terms

Master PS

1538 · Engraving

Cleared · Public Domain

live
The MetSimilar
Two-Spouted Strainer Askos (Flask) by an unrecorded maker, The Cleveland Museum of Art

Two-Spouted Strainer Askos (Flask)

Unrecorded maker

300–200 BCE · Ceramic, ceramic

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Two Terms, Two Cornices and a Pillar by Hugues Sambin, The Metropolitan Museum of Art

Two Terms, Two Cornices and a Pillar

Hugues Sambin (d. 1601)

1554 · Etching

Cleared · Public Domain

live
The MetSimilar
Two-Spouted Strainer Askos (Flask) with Lid by an unrecorded maker, The Cleveland Museum of Art

Two-Spouted Strainer Askos (Flask) with Lid

Unrecorded maker

300–200 BCE · Ceramic, ceramic

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two Terms

Master PS

1535 · Engraving

In copyright

live
The MetSimilar
Power figure (nkisi) by an unrecorded maker, The Cleveland Museum of Art

Power figure (nkisi)

Unrecorded maker

late 1800s–early 1900s · Sculpture, Wood, organic materials (including resin), cloth, metalized glass, possibly porcelain, and plant fiber

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title Page depicting a panel of architecture flanked by two terms, one of which has the head of a Turk, from Termes, plate 1, bound in Oeuvres. Vol. II

Jean Le Pautre (d. 1682)

17th century · Etching

In copyright

live
The MetSimilar
Rapier by an unrecorded maker, The Cleveland Museum of Art

Rapier

Unrecorded maker

c. 1580–1610 · Arms and Armor, steel, ribbed guard and pommel; wood and wire

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Wine Ewer with Incised Scroll Design by an unrecorded maker, The Cleveland Museum of Art

Wine Ewer with Incised Scroll Design

Unrecorded maker

1100s · Ceramic, celadon with incised and carved design

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.