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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1395 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    562 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 986 matching records exist across the two collections.

Results for "Two Variant Half Designs for a Cartouche"12 records

Institutions answered newest-first by record, interleaved

Various Cartouche Designs by Francisco Herrera, the Younger ("El Mozo"), The Metropolitan Museum of Art

Various Cartouche Designs

Francisco Herrera, the Younger ("El Mozo") (d. 1685)

1649 · Engraving

Cleared · Public Domain

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The MetSimilar
Two Designs for Trophies and a Cartouche by Jean Charles Delafosse, The Metropolitan Museum of Art

Two Designs for Trophies and a Cartouche

Jean Charles Delafosse (d. 1789)

ca. 1768 · Pen and black ink with brush and gray wash

Cleared · Public Domain

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The MetSimilar
Designs for One Half of a Cartouche in the Rococo style by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Designs for One Half of a Cartouche in the Rococo style

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush and green and gray wash, over leadpoint or graphite; framing outlines in pen and brown ink

Cleared · Public Domain

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The MetSimilar
Two One Half Variant Designs for a Catafalque by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two One Half Variant Designs for a Catafalque

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush and brown wash, over leadpoint or graphite, with ruled construction

Cleared · Public Domain

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The MetSimilar
Two One Half Variant Designs for an Altar and a Chapel by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two One Half Variant Designs for an Altar and a Chapel

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction

Cleared · Public Domain

live
The MetSimilar
Two Variant Half Designs for a Cartouche by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Variant Half Designs for a Cartouche

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush and gray wash, over lead point or graphite; framing lines in pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Two Designs for Vases (recto); Variant Design for a Vase (verso) by Ennemond Alexandre Petitot, The Metropolitan Museum of Art

Two Designs for Vases (recto); Variant Design for a Vase (verso)

Ennemond Alexandre Petitot (d. 1801)

1801 · Pen and brown ink, brush and brown wash, over black chalk underdrawing (recto); pen and brown ink (verso)

Cleared · Public Domain

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The MetSimilar
Study with Two Alternate Designs for a Cartouche by Anonymous, Italian, 19th century, The Metropolitan Museum of Art

Study with Two Alternate Designs for a Cartouche

Anonymous, Italian, 19th century (d. 1900)

19th century · Pen and brown ink over black chalk or graphite

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cartouche Design with Two Dragons

Federico Zuccaro (Zuccari) (d. 1609)

ca. 1610–30 · Engraving

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title Page depicting two variant designs for a cartouche amidst rinceaux, from Nouveau livre de cartouches, plate 1, bound in Oeuvres. Vol. IV

Jean Le Pautre (d. 1682)

17th century · Etching and engraving; second state of three (Préaud)

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cartouche with Two Griffons

Stefano della Bella (d. 1664)

1646–99 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Series of Cartouche Designs "Raccolta di Cartelle Pubblicate per uso della Gioventù Studiosa".

Sebastiano Cavina (d. 1790)

1798 · Etching

In copyright

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The MetSimilar

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